2014/02/28

This Admirable Gadget, When It Is Wound on a Strong and Spun with Steady Force, Maintains Its Balance on Most Any Smooth Surface, Pleasantly Humming as it Goes





My brother Elric is 53 today, Happy Birthday! He reads occasionally, not as often as he once did before we fell out over Chelsea Manning but I'm told more often than I thought.






Howard Nemerov was lucky enough to be born on February 29th, since March 1 belongs to Chopin and Richard Wilbur and Robert Lowell, I give today to Nemerov, born 23.5 years ago if you only count February 29ths.


GYROSCOPE

This admirable gadget, when it is
Wound on a string and spun with steady force,   
Maintains its balance on most any smooth
Surface, pleasantly humming as it goes.
It is whirled not on a constant course, but still   
Stands in unshivering integrity
For quite some time, meaning nothing perhaps   
But being something agreeable to watch,   
A silver nearly silence gleaning a still-
ness out of speed, composing unity   
From spin, so that its hollow spaces seem   
Solids of light, until it wobbles and   
Begins to whine, and then with an odd lunge   
Eccentric and reckless, it skids away   
And drops dead into its own skeleton.






  • I'll be honest, with someone who I've posted as often as Nemerov I don't go back to make sure I'm not repeating posting poems. I'm certain I'm repeating poems. Click the tag for more, you'll probably see these but many others too.
  • I've probably done that Dismemberment Plan gag before too.
  • I discovered that if I put gifs in the blog header they worked, they never had before. Unfortunately, none of the gifs I have is large enough to fill the header's dimension. I put the UFO Ride into the header, it was the size it is as background now. I thought.... so. Not permanent (probably), gifs is general not just this one in particular, though now and then and for today. I don't think it's the cause of today's slow loading (I think it's the statcounter widget and/or one of the youtubes and/or one or more of the sites on the blogrolls has broken its feed); I took the gif down and the load was just as slow.
  • And the statcounter widget's skeeviness has ceased, at least temporarily, and moving the youtube-heavy George posts off the front page seems to have stopped the slow-load issue. 
  • UPDATE! GIF down. Blooger skeevy.  
  • UPDATE! Here's the weird. Blog is down in my house - and any place where internet is via Comcast because eNom, who provides my domain name, has crashed with Comcast. So GIF will be back. Or not.
  • Which 90s Indie Band are you? I got Neutral Milk Hotel which is funny cause if I've nothing personal against any member of Neutral Milk Hotel I nonetheless really dislike the music, I guarantee you can search the ten years of this shitty blog, you won't find any Neutral Milk Hotel anywhere. 
  • Rilke, for those of you who do, his 5th Duino. 
  • Storm Light from Ocean View.
  • ROBERTSON DAVIES!
  • Silliman's always generous litlinks.
  • Sunn O)))!
  • Prunella's latest playlist
  • UPDATE! Richard just told me Swans are playing Black Cat this May 14th. I might be picking up Planet from college then but just bought a ticket. Hurry, buy yours soon! If it's announced that St Vincent is on the tour (she's gonna be on the new album) it will sell out as soon as news hits.
  • I was supposed to see Swans w/Mr Alarum last year, couldn't make it, I forget now why, been kicking myself ever since. This guarantees that I'll be in Ohio this May 14th.
  • Fell asleep listening to/woke up with The Necks in my head, you can hear more by clicking on that tag.






WRITING

Howard Nemerov

The cursive crawl, the squared-off characters   
these by themselves delight, even without   
a meaning, in a foreign language, in
Chinese, for instance, or when skaters curve   
all day across the lake, scoring their white   
records in ice. Being intelligible,
these winding ways with their audacities   
and delicate hesitations, they become   
miraculous, so intimately, out there
at the pen’s point or brush’s tip, do world   
and spirit wed. The small bones of the wrist   
balance against great skeletons of stars   
exactly; the blind bat surveys his way   
by echo alone. Still, the point of style   
is character. The universe induces
a different tremor in every hand, from the   
check-forger’s to that of the Emperor
Hui Tsung, who called his own calligraphy   
the ‘Slender Gold.’ A nervous man
writes nervously of a nervous world, and so on.

Miraculous. It is as though the world
were a great writing. Having said so much,   
let us allow there is more to the world   
than writing: continental faults are not   
bare convoluted fissures in the brain.   
Not only must the skaters soon go home;   
also the hard inscription of their skates
is scored across the open water, which long   
remembers nothing, neither wind nor wake.








THE MURDER OF WILLIAM REMINGTON

Howard Nemerov

It is true, that even in the best-run state   
Such things will happen; it is true,
What’s done is done. The law, whereby we hate   
Our hatred, sees no fire in the flue
But by the smoke, and not for thought alone   
It punishes, but for the thing that’s done.

And yet there is the horror of the fact,   
Though we knew not the man. To die in jail,   
To be beaten to death, to know the act   
Of personal fury before the eyes can fail   
And the man die against the cold last wall   
Of the lonely world—and neither is that all:

There is the terror too of each man’s thought,   
That knows not, but must quietly suspect   
His neighbor, friend, or self of being taught   
To take an attitude merely correct;   
Being frightened of his own cold image in   
The glass of government, and his own sin,

Frightened lest senate house and prison wall
Be quarried of one stone, lest righteous and high   
Look faintly smiling down and seem to call   
A crime the welcome chance of liberty,   
And any man an outlaw who aggrieves   
The patriotism of a pair of thieves.



2014/02/27

But We Get Two Pints of Jelly in the End




  • WhatsAp, Facebook, cultural imperialism?
  • Hillarian Inevitability. I'm having a pint after work today with my Hilltop friend, the devout Democrat and obamaphile, I'm guessing he's solidly in that 80% and since he reads this blog he'll probably tell me.
  • I chose not to post the video of the Baltimore County Police assholes after I first saw it a couple nights ago because I'm actively trying to reduce aargh not only here but in real life, but since I couldn't resist bringing the Aargh of Hillarian Inevitability to this post, here, have news of the fall out.
  • Beyond Hillarian Inevitability, I am certain POTUS 16 in particular and current cultural/political trends in general as we see them will be discussed tonight. We will disagree on the trends meanings. I will push a point too hard and rumple his feelings (this said as vaccine) and I will be told I enjoy being contrarian to the point I lose sight of bigger pictures and pragmatism and I will retort that it is him who refuses to see beyond the micro of party politics. I will get up to buy us a second pint each, and when I return to the table I will try to steer the conversation away to books and baseball to some limited success. A good time will be had though we'll each privately note there's a reason we only do this three, four times a year. Don't worry: won't be relayed here tomorrow, been recapped already today.





  • A Zombie has jury duty.
  • Berlin MD voted Best Cool Town in USA?
  • What Dostoyevsky knew about the Internet?
  • Steven Malkmus compares Tiny Daemon Snyder to Donald RumsfeldDonald Rumsfeld is a Jagbag. Pete Carroll, the coach of the [Seattle] Seahawks, he is. The owner of the Redskins [Dan Snyder], he’s a Jagbag. He needs to just get it over with and change the name. It’s really petty and ridiculous. I like the Redskins, it’s a storied franchise. I went to the University of Virginia in the ’80s [and] they were brilliant. [The name Redskins] doesn’t offend me, but I’m not Native American. It offends someone else. If they just change it, it will be forgotten — it will just be over.
  • He's wrong, it will not be over.
  • That moment when you realize Winter has won and your favorite pair of shoes turn rancid from repeated walking in snow? Today.
  • Budweiser thinks Baltimore is south of DC.
  • RIP Paco de Lucia.
  • Planet asked me if I'd go see Tegan & Sara with her at 930 in May and I said sure, this morning I get the weekly email from 930, scroll the schedule to see the date, notice that Wye Oak is playing May 6  and Mogwai playing May 7 (late show, doors open at 10PM, I'm an old man, 930, Mogwai's not going to be on stage until after midnight?).
  • Here's the new Mogwai:







EVERYTHING GOOD BETWEEN MEN AND WOMEN

C.D. Wright

has been written in mud and butter
and barbecue sauce. The walls and
the floors used to be gorgeous.
The socks off-white and a near match.
The quince with fire blight
but we get two pints of jelly
in the end. Long walks strengthen
the back. You with a fever blister
and myself with a sty. Eyes
have we and we are forever prey
to each other’s teeth. The torrents
go over us. Thunder has not harmed
anyone we know. The river coursing
through us is dirty and deep. The left
hand protects the rhythm. Watch
your head. No fires should be
unattended. Especially when wind. Each
receives a free swiss army knife.
The first few tongues are clearly
preparatory. The impression
made by yours I carry to my grave. It is
just so sad so creepy so beautiful.
Bless it. We have so little time
to learn, so much... The river
courses dirty and deep. Cover the lettuce.
Call it a night. O soul. Flow on. Instead.



2014/02/26

Drawing Rain Over a Bridge and Over the People Crossing the Bridge




  • Frank Bridge was born 135 years ago today.
  • We talked about Blegsylvania last night at a Tuesday Edition of Whatever Night Fits All Our Schedules Pints. At this point, I said, I don't mind the obligations I impose on myself, but the fact I now see them as obligations means lights are changing. I'm not sparing you the rest, I just haven't formed the rest into coherent sentences yet, but at least I've put that great Mary Lou Lord song in my head, now yours.
  • More chimeras.
  • The Friends of Glenn
  • Notes on Want To Start a Revolution?
  • Food links.
  • Midcounty Highway! Fucking Clarksburg, the developers especially, but the fucks who bought houses there too.
  • The state of United. Planet comes home a week from Friday, home opener a week from Saturday.
  • The 150 year hunt for the Great American Novel.
  • Angel Olsen.
  • Above two links via Hamster, thanks.
  • Gentle resignation: Houellebecq, for those of you who do or, like me, never had and should. Not a conscious choice - I didn't decide I wouldn't read him - I just never have.
  • Hymn to Life.






RAIN EFFECT

Mary Ruefle

A bride and a groom sitting in an open buggy
in the rain, holding hands but not looking
at each other, waiting for the rain to stop,
waiting for the marriage to begin, embarrassed
by the rain, the effect of the rain on the bridal
veil, the wet horse with his mane in his eyes,
the rain cold as the sea, the sea deep as love,
big drops of rain falling on the leather seat,
the rain beaded on a rose pinned to the groom’s
lapel, the rain on the bride’s bouquet,
on the baby’s breath there, the sound of the rain
hitting the driver’s top hat, the rain
shining like satin on the black street,
on the tips of patent leather shoes, Hokusai’s
father who polished mirrors for a living, Hokusai’s
father watching the sky for clouds, Hokusai’s father’s son
drawing rain over a bridge and over the people crossing
the bridge, Hokusai’s father’s son drawing the rain
for hours, Hokusai’s father rubbing a mirror, the rain
cold as the sea, the sea cold as love, the sea swelling
to a tidal wave, at the tip of the wave white.



2014/02/25

All the World Is Birthday Cake





The first solo album by a Beatle. I used to post it on George's birthday as well as his two *!GREAT!* Yellow Submarine songs - and the two best Beatles songs, yo. *!LOUD!* please, with flashbacks if possible.







I wasn't going to post these today but I was poked and as amused as I was supposed to be by the Fuck the Beatles bait from friends today, and yes, I am your dancing puppet, so have all three. I'm listening to them now anyway.



With a Yo-Ho-Ho and a Ya-Ha-Ha and a Ye-Hee-Hee-Ho-Hum, with a Yo-Ho-Ho and a Ya-Ha-Ha and a Yum-Yum-Jum-Jum-Jum, or: Born Seventy-One Years Ago, Sixty-Five Today





George was born seventy-one years ago. I never need listen to The Beatles again, so often did I hear them I can play any song in my head any time I want and often when I don't, but I still love George, I've always loved George, I've always loved George best, people can vouch. Love love love.

High Egoslavian Holy Day. It's also this guy's birthday, he's sixty-five today:







His shoes cost more than your house. Here, the best George Traveling Wilburys song which is simultaneously the best Traveling Wilburys song. That I like a band with Bob Dylan and Tom Petty and the unfortunately named for me Jeff Lynne is testament to my love love love for George.







Here, the full album, quite possibly the second most listened-to album of my life.







No links today, probably tomorrow, though Prunella tells me John Doe is 60 today, gives me songs.







Also too, per Egoslavian tradition, The Pirate Song.



2014/02/24

High Egoslavian Holy Day Eve, Woo!




Other than my anniversary and loved one's birthdays (Planet's being Highest!) there are no higher Egoslavian Holy Days than tomorrow. Two big birthdays, George's  (I still love George, have always loved George best, people can vouch), the above song one of my go-tos when I listened for soft landings of crashes. Let me know if you want a particular post-Beatles tune (nothing against George's Beatles songs, I don't need to hear Beatles songs, I can pull one up in my head whenever I want), Wilburys welcome (though Handle with Care, George's best Traveling Wilburys song and the best Traveling Wilburys song, is already in the post).

The other you'll have to wait though have this clue: His shoes cost more than your house.

Clapping 123123





Re-posting as fresh Monday morning last night's post (with links and poem added):

Sunday evening is the stupidest time to post and certainly the worst time to beg (I've heard Sunday night is the biggest stupidass soap opera night on TV), but WFMU has just started it's marathon and I need you give them money for me. I can't imagine not having this resource - I - I'll try not to badger the fuck out of you. I also need you give them money for you; you either know why and would be an ingrate not to give or you need find out why and not be an ingrate once you do.



Pledge to the WFMU Marathon!



All four songs in this post were culled from four different shows from the past week (Storck, Bethany, Berger, Davidson). No, I couldn't wait till morning, a chance to be a slut for more than just me? I will post these songs again in the morning as a fresh post (with the template below filled in, a new title - a line stolen from a poem - and this section rewritten) unless someone comments, in which case I'll find four more songs from four different shows. Hint.

Added Monday morning: No one took the hint. No one read the post Sunday night.












BEASTGARDEN

Lucy Ives

first garden

Beastgarden.


second garden

Bees go mad on late summer evenings, should
People stray from their jobs towards water

Beastgarden.


third garden

Who makes the rented red boat's
Oars turn

Who is the younger one always
Turning up

Who professes to be better because
He is just looking

Who says he is worse off as
He cannot look

Beastgarden.


fourth garden

The unicycle girl, thin
Like one with a sexual problem,
Goes through
The Schlosspark. This follows:
Father rolling his eyes

Beastgarden.


fifth garden

The man from Manchester
Has my breast in his hand

These are funny
They don't do anything do they

Being burnt by a fire I say

Beastgarden.


sixth garden

Similarly, if only
You grasped some
Titanic misery or a
Love like an old man's

Beastgarden.


seventh garden

Where were we

A ballroom competition goes on
A yellow satin bikini
A fuchsia floor-length are
Dancing; an audience is
Drinking, clapping 1 2 3 1 2 3

Beastgarden.



2014/02/23

O What a Physical Effect It Has on Me to Dive Forever into the Light Blue Sea of Your Acquaintance!










THE MAGIC OF NUMBERS

Kenneth Koch


                                        The Magic of Numbers—1


How strange it was to hear the furniture being moved around in the apartment upstairs!
I was twenty-six, and you were twenty-two.


                                   The Magic of Numbers—2

You asked me if I wanted to run, but I said no and walked on.
I was nineteen, and you were seven.


                                   The Magic of Numbers—3

Yes, but does X really like us?
We were both twenty-seven.


                                   The Magic of Numbers—4

You look like Jerry Lewis (1950).


                                   The Magic of Numbers—5

Grandfather and grandmother want you to go over to their house for dinner.
They were sixty-nine, and I was two and a half.


                                   The Magic of Numbers—6

One day when I was twenty-nine years old I met you and nothing happened.


                                   The Magic of Numbers—7

No, of course it wasn’t I who came to the library!
Brown eyes, flushed cheeks, brown hair. I was twenty-nine, and you were sixteen.


                                  The Magic of Numbers—8

After we made love one night in Rockport I went outside and kissed the road
I felt so carried away. I was twenty-three, and you were nineteen.


                                  The Magic of Numbers—9

I was twenty-nine, and so were you. We had a very passionate time.
Everything I read turned into a story about you and me, and everything I did was turned into a poem.







IN LOVE WITH YOU

Kenneth Koch

                                                             I


O what a physical effect it has on me
To dive forever into the light blue sea
Of your acquaintance! Ah, but dearest friends,
Like forms, are finished, as life has ends! Still,
It is beautiful, when October
Is over, and February is over,
To sit in the starch of my shirt, and to dream of your sweet
Ways! As if the world were a taxi, you enter it, then
Reply (to no one), “Let’s go five or six blocks.”
Isn’t the blue stream that runs past you a translation from the Russian?
Aren’t my eyes bigger than love?
Isn’t this history, and aren’t we a couple of ruins?
Is Carthage Pompeii? is the pillow the bed? is the sun
What glues our heads together? O midnight! O midnight!
Is love what we are,
Or has happiness come to me in a private car
That’s so very small I’m amazed to see it there?


                                                       2

We walk through the park in the sun, and you say, “There’s a spider
Of shadow touching the bench, when morning’s begun.” I love you.
I love you fame I love you raining sun I love you cigarettes I love you love
I love you daggers I love smiles daggers and symbolism.


                                                       3

Inside the symposium of your sweetest look’s
Sunflower awning by the nurse-faced chrysanthemums childhood
Again represents a summer spent sticking knives into porcelain raspberries, when China’s
Still a country! Oh, King Edward abdicated years later, that’s
Exactly when. If you were seventy thousand years old, and I were a pill,
I know I could cure your headache, like playing baseball in drinking-water, as baskets
Of towels sweetly touch the bathroom floor! O benches of nothing
Appear and reappear—electricity! I’d love to be how
You are, as if
The world were new, and the selves were blue
Which we don
Until it’s dawn,
Until evening puts on
The gray hooded selves and the light brown selves of . . .
Water! your tear-colored nail polish
Kisses me! and the lumberyard seems new
As a calm
On the sea, where, like pigeons,
I feel so mutated, sad, so breezed, so revivified, and still so unabdicated—
Not like an edge of land coming over the sea!



2014/02/22

Bleggal Kayfabe!




"You can use a brush rack to hit the brush on. Otherwise you will become unpopular real fast."

- Bob Ross


60 degrees and sunny today, going outside. Back tomorrow, probably. Have a Mekons song.



2014/02/21

Conflagrations Leap Out of Every Poor Furnace

Wasn't going to post links today but discovered this morning that blogfriends have new content and I want to bump them while the links are fresh (and before the weekend Blegsylvanian deadness):



Born One-Hundred Seven Years Ago Today




MUSEE DES BEAUX ARTS

W.H. Auden

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.

In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.







On Auden's birthday I always post that photo, then Musee Des Beaux Arts, it still gets better with each rereading, and then some version of this paragraph:

Some personal history: besides taking classes from Anthony Hecht, I did basic research grunt work for him on his final two books of criticism in exchange for his company, On the Laws of the Poetic Arts and The Hidden Law, a book specifically about Auden's poetry, which Hecht respected deeply. In the process of the research for and conversations with Hecht over years I must have read the majority of Auden's poems at least once, some countless times, some, like the above and below, literally dozens of dozens of times.

I've told some version of this story countless times: I was hired by Georgetown University mid-August, I sought Hecht out immediately and asked to audit his Fall semester grad poetry class, telling him not only was I only a Georgetown staffer but I hadn't an undergraduate degree and asking please let me audit the class. It focused on five main poets - Frost, Eliot, Auden, Bishop, and Wilbur - but we spent more than half the semester on Auden alone. I've probably spent more time with Auden than with any other poet, and if I only read him now on his birthday, I can pull up countless poems in my head whenever I want.







EPITAPH ON A TYRANT

Perfection, of a kind, was what he was after,
And the poetry he invented was easy to understand;
He knew human folly like the back of his hand,
And was greatly interested in armies and fleets;
When he laughed, respectable senators burst with laughter,
And when he cried the little children died in the streets.







THE FALL OF ROME

The piers are pummelled by the waves;
In a lonely field the rain
Lashes an abandoned train;
Outlaws fill the mountain caves.

Fantastic grow the evening gowns;
Agents of the Fisc pursue
Absconding tax-defaulters through
The sewers of provincial towns.

Private rites of magic send
The temple prostitutes to sleep;
All the literati keep
An imaginary friend.

Cerebrotonic Cato may
Extol the Ancient Disciplines,
But the muscle-bound Marines
Mutiny for food and pay.

Caesar's double-bed is warm
As an unimportant clerk
Writes I DO NOT LIKE MY WORK
On a pink official form.

Unendowed with wealth or pity,
Little birds with scarlet legs,
Sitting on their speckled eggs,
Eye each flu-infected city.

Altogether elsewhere, vast
Herds of reindeer move across
Miles and miles of golden moss,
Silently and very fast.







THE MORE LOVING ONE

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.



2014/02/20

Of Course You Lack Maps of the Underworld, There Are No Maps of the Underworld



Maps fascinate me, always have, the above one of the many maps SeatSix gave me this past Giftmas, a 1951, pre-interstate Maryland/Virginia/West Virginia/Delaware gas station road map. I did not know the current Maryland 45 north from Baltimore towards York PA was once signed US 111. Also note that what is now US 40 between Frederick and Hagerstown was Alt US 40 in 1951, what is now ALT US 40 then US 40. The Giftmas before the most recent SeatSix gave me a giant map on MOCO circa 1830, it's gorgeous, as soon as I figure out how to get it home I'll get it out of our parents' basement. Anyway, there seem to me a recent spate of articles about mapping, here's another. I gladly admit I look for map-shit, I admit it might be my imagination, this recent spate, but I'm curious as to why (I suspect it's new mapping technology in conjunction with the expanding police state, yo) in all the places I normally look there's more on map-yap than usual.






  • Who are the deserving rich? Rentiers, apparently.
  • I am fully aware that as a homeowner in MOCO this is in my self-interest: Montgomery County Executive Isiah Leggett (D) joined Gov. Martin O’Malley (D) and Sen. Barbara Mikulski (D) of Baltimore to sign an agreement that will help solidify the county’s plans to build the National Cybersecurity Center of Excellence in Rockville. “We want Maryland to be the epicenter for cybersecurity in the United States,” Mikulski told Capital News Service. As is the new policy, I note the irony vis a vis my yodeling hypocrisy but spare everyone, and by everyone I mean me, the gratuitous aargh, and it's such a great sentence from the Patron Saint of Fort Meade.
  • Yes, I know cybersecurity is more than my being surveilled, though neither are exclusive from the other ever.
  • Police state.
  • The long slow surrender of American Liberals. Subscription required, I'm afraid, but I recommend subscribing to Harpers, and it's cheap!
  • I certainly don't want to imply that I am not one of the surrenderers. This blog exists to pick my scabs.
  • Three of you plus me say FLEABUS! so I'll work on creating more headers.





  • On the Winter Olympics. I've acquaintances apparently invested in the Men's Ice-Soccer tournament, but in more important and happy soccer news, both Man City and Arsenal are down each by two away goals to Barca and Bayern Munich respectively. Lordy, let Arsenal crash, let Chelsea win the tournament and The Premier League by one point, may Arsene Wenger be caught live on camera when his head explodes from the mocking of the crowing Special One.
  • Why the German away kit is green.
  • I've been asked by a loved one and a few friends recently to consider reactivating a Facebook account for ease of communications, and no, not passing a moral judgment, it's just not for me for all the same reasons that 90% of the people I know (and knew - the ghosts that would appear asking me to be their friend was creepy) don't know about this shitty blog. I could pretend it's Facebook's business ethics or something for the reason I'm not on Facebook, but for you to read that sentence I'd have to type it into the dashboard of a Google product.
  • Murakami's latest out in English in August.
  • At the laundromat. Tom's latest.
  • Catapult.
  • Aphex Twin. It's been a few months, I'll get myself another cascade soon.
  • Not quite sure how I missed the lastest The Fall release, but better late than....





THE WORKFORCE

James Tate

Do you have adequate oxen for the job?
No, my oxen are inadequate.
Well, how many oxen would it take to do an adequate job?
I would need ten more oxen to do the job adequately.
I'll see if I can get them for you.
I'd be obliged if you could do that for me.
Certainly. And do you have sufficient fishcakes for the men?
We have fifty fishcakes, which is less than sufficient.
I'll have them delivered on the morrow.
Do you need maps of the mountains and the underworld?
We have maps of the mountains but we lack maps of the underworld.
Of course you lack maps of the underworld,
there are no maps of the underworld.
And, besides, you don't want to go there, it's stuffy.
I had no intention of going there, or anywhere for that matter.
It's just that you asked me if I needed maps. . . .
Yes, yes, it's my fault, I got carried away.
What do you need, then, you tell me?
We need seeds, we need plows, we need scythes, chickens,
pigs, cows, buckets and women.
Women?
We have no women.
You're a sorry lot, then.
We are a sorry lot, sir.
Well, I can't get you women.
I assumed as much, sir.
What are you going to do without women, then?
We will suffer, sir. And then we'll die out one by one.
Can any of you sing?
Yes, sir, we have many fine singers among us.
Order them to begin singing immediately.
Either women will find you this way or you will die
comforted. Meanwhile busy yourselves
with the meaningful tasks you have set for yourselves.
Sir, we will not rest until the babes arrive.



2014/02/18

Born Eighty-Eight Years Ago Today




MECHANISM

A.R. Ammons

Honor a going thing, goldfinch, corporation, tree,
          morality: any working order,
       animate or inanimate: it
has managed directed balance,
          the incoming and outgoing energies are working right,
       some energy left to the mechanism,
some ash, enough energy held
          to maintain the order in repair,
       assure further consumption of entropy,
expending energy to strengthen order:
          honor the persisting reactor,
       the container of change, the moderator: the yellow
bird flashes black wing-bars
          in the new-leaving wild cherry bushes by the bay,
       startles the hawk with beauty,
flitting to a branch where
          flash vanishes into stillness,
       hawk addled by the sudden loss of sight:
honor the chemistries, platelets, hemoglobin kinetics,
          the light-sensitive iris, the enzymic intricacies
       of control,
the gastric transformations, seed
          dissolved to acrid liquors, synthesized into
       chirp, vitreous humor, knowledge,
blood compulsion, instinct: honor the
          unique genes,
       molecules that reproduce themselves, divide into
sets, the nucleic grain transmitted
          in slow change through ages of rising and falling form,
       some cells set aside for the special work, mind
or perception rising into orders of courtship,
          territorial rights, mind rising
       from the physical chemistries
to guarantee that genes will be exchanged, male
          and female met, the satisfactions cloaking a deeper
       racial satisfaction:
heat kept by a feathered skin:
          the living alembic, body heat maintained (bunsen
       burner under the flask)
so the chemistries can proceed, reaction rates
          interdependent, self-adjusting, with optimum
       efficiency—the vessel firm, the flame
staying: isolated, contained reactions! the precise and
          necessary worked out of random, reproducible,
       the handiwork redeemed from chance, while the
goldfinch, unconscious of the billion operations
          that stay its form, flashes, chirping (not a
       great songster) in the bay cherry bushes wild of leaf. 



h/t self-portrait and interview with Ammons. Here's a profile of Ammons by David Lehman. His 1993 book length Garbage is quite possibly the single volume of poetry I've read most often. If I played My Sillyass Des.....

Click Ammons tag for more poems.



THE CITY LIMITS

When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider

that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest

swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue

bodies and gold-skeined wings of flies swarming the dumped
guts of a natural slaughter or the coil of shit and in no
way winces from its storms of generosity; when you consider

that air or vacuum, snow or shale, squid or wolf, rose or lichen,
each is accepted into as much light as it will take, then the
heart moves roomier, the man stands and looks about, the

leaf does not increase itself above the grass, and the dark
work of the deepest cells is of a tune with May bushes
and fear lit by the breadth of such calmly turns to praise.



HYMN


I know if I find you I will have to leave the earth
and go on out
     over the sea marshes and the brant in bays
and over the hills of tall hickory
and over the crater lakes and canyons
and on up through the spheres of diminishing air
past the blackset noctilucent clouds
           where one wants to stop and look
way past all the light diffusions and bombardments
up farther than the loss of sight
    into the unseasonal undifferentiated empty stark
And I know if I find you I will have to stay with the earth
inspecting with thin tools and ground eyes
trusting the microvilli sporangia and simplest
     coelenterates
and praying for a nerve cell
with all the soul of my chemical reactions
and going right on down where the eye sees only traces
You are everywhere partial and entire
You are on the inside of everything and on the outside
I walk down the path down the hill where the sweetgum
has begun to ooze spring sap at the cut
and I see how the bark cracks and winds like no other bark
chasmal to my ant-soul running up and down
and if I find you I must go out deep into your
    far resolutions

and if I find you I must stay here with the separate leaves

A Wounded Eardrum Wasn't Much in the Scheme




  • Yes, re-posted again, this new GbV song,  I couldn't resist posting it last night, posted again especially considering the Tomasky link below the next new GbV song. New Guided by Voices out today. Yay! I recently saw a review of Guided by Voices which used a baseball metaphor to describe Pollard as essentially Rob Deer or Steve Balboni, and fuck you and heh!
  • Header photo of Fleabus, Best Cat Every, via my daughter Planet. This shitty blog used to feature a Fleabus photo per post back when Planet was in middle school, first years  of high school, and was taking photos regularly. Not going to make it a regular feature again, am going to post some now and then more than I have of late.
  • Epistemic panic and the problem of lifeThis image of the fragile and naked human-animal, now hopelessly out-performed, manipulated and threatened by its own technological systems, presents itself as the risk and stakes of epistemic acceleration as a strategy of resistance to capitalism’s lethal acceleration. It begs the question of whether accelerationism demands that we somehow leave behind the frailty of the organism, with its limited scope of experience and self-interestedness, in order ultimately to defend it and its environment at the brink of man-made planetary extinction? In other words, whether we must work against the inherent proclivities of the living in order to protect ‘Life itself’? Or, taking this one anti-humanist step further, even to free thought itself from the limitations of the life-form, with its inherent conservatism, in the interest of knowledge itself! Or whether we must liberate reason from its capitalist control in order that particularity, which includes the contingent experiences of actual lives, may reemerge as a basis for understanding and action? What has knowledge based in embodied experience got to do with all this?
  • I saw Steve Balboni ground into a triple play against the Orioles at Memorial Stadium once. Saw him strike out numerous times at Memorial Stadium over multiple games. Rob Deer too back when the Brewers were in the American League.











THE UNIFORM

Marvin Bell

Of the sleeves, I remember their weight, like wet wool,
on my arms, and the empty ends which hung past my hands.   
Of the body of the shirt, I remember the large buttons   
and larger buttonholes, which made a rack of wheels   
down my chest and could not be quickly unbuttoned.   
Of the collar, I remember its thickness without starch,
by which it lay against my clavicle without moving.   
Of my trousers, the same—heavy, bulky, slow to give   
for a leg, a crowded feeling, a molasses to walk in.   
Of my boots, I remember the brittle soles, of a material   
that had not been made love to by any natural substance,   
and the laces: ropes to make prisoners of my feet.   
Of the helmet, I remember the webbed, inner liner,   
a brittle plastic underwear on which wobbled
the crushing steel pot then strapped at the chin.   
Of the mortar, I remember the mortar plate,
heavy enough to kill by weight, which I carried by rope.   
Of the machine gun, I remember the way it fit
behind my head and across my shoulder blades   
as I carried it, or, to be precise, as it rode me.
Of tactics, I remember the likelihood of shooting
the wrong man, the weight of the rifle bolt, the difficulty   
of loading while prone, the shock of noise.
For earplugs, some used cigarette filters or toilet paper.   
I don’t hear well now, for a man of my age,
and the doctor says my ears were damaged and asks   
if I was in the Army, and of course I was but then   
a wounded eardrum wasn’t much in the scheme.



2014/02/17

[[I] [Lied] [Dog] [Died] [Sword] [Profess] [Thimbles] [No]]

I                 Lied              Dog             Sword           Profess             Thimbles           No
read           chords           brays            wound          clotting             sirens                song
high           sighed           clog              wound          watches            duet                   saves
dead          hordes           clays             cord              sparking           faucets              though

words         crows            kiln              red                traintracks        filter                  rare
rhymes       gulped           bakes           reed              marshes            solo                   few
birds           nose              film              read              deadlines          conquests         salve
lines           whelped        breaks          read              novels               empty               heart

beats           beats             beats            skies             beating              beating             beats
counts         whipped       framed         tear               splashing           shotclocks        stop
meets          sheets           cheats          eyes              bleating             fleeting             drown
mount         clipped         blamed         tear               fabric                escapes             save

choose         use               fuse              ruse              refuse                excuse              muse
lose              clues            lose              rues              refuse                profuse             lose

High Egoslavian Holy Day Eve



   
New Guided by Voices out tomorrow. More new songs here tomorrow.

In Sentence Sixty-Five It Occurs to Me That I Concern Myself Here with Something That Ought Not to Be Touched





Fred Frith is sixty-five today. I love Frith, not sure why I don't play more here. Have four of his songs (plus here a live concert) plus two poems and nothing else: of three day weekends, Monday's the deadest in Dead, Blegsylvania, plus I'm digging a book (I'm testing a new policy, not naming the book here before finishing as to not jinx it, sooooooo disappointing did Power's Orfeo turn out be) so there was no link-fishing last night.







EARLY POEM

Lucy Ives

The first sentence is a sentence about writing. The second sentence tells you it's alright to lose interest. You might be one of those people who sits back in his or her chair without interest, and this would have been the third sentence you would have read. The fourth sentence, what does that say, that says something about how I genuinely feel, even if it no longer matters how I genuinely feel, that has not even become the topic of another book. The fifth sentence says that that was left by the wayside because it was such a variable thing. That's what the sixth sentence said, and says, that it sits there still, varying, changing its colors, etc., the army of ancient Rome marches by, they think it is some sort of tomb and display their eagle insignia. The seventh sentence ill conceals its surprise that I should have tried to make it all look so far away. The eight sentence is therefore a meditation on something close at hand. The ninth sentence is a means of approach. In the tenth sentence I discover I am staring at a list of things I have done written in blue pencil on brown paper. In the eleventh sentence I draw a one-eyed duck on the paper beside the list. In the twelfth sentence I circle one of the numbers on the list and I start to feel nervous. In the thirteenth sentence I realize I have chosen something. In the fourteenth sentence I decide I will read my choice aloud. In the fifteenth sentence I stall by saying the words "I don't have a choice." In the sixteenth sentence I stall again by thinking about the obelisk on the Upper East Side in Central Park and how it is called "Cleopatra's Needle," and how around the base of the "needle" there are metal supports in the shape of crustaceans, I think they are crabs in fact but sometimes that word is slightly obscene so I consider not writing it. In the seventeenth sentence I think some more about the kinds of joke that employ that word and whether it is worth thinking about such jokes, as it does alter the genre of what you are writing if such things are allowed to be thought as a part of it. The lawns of the park were very green in summer, and it is early summer right now, right as I think to think this, and this is the first time I have lived in New York City for a full year in ten years, this is what I tell as the nineteenth sentence. In the twentieth sentence I recall the list and resolve again to look at it. In the twentifirst sentence I misspell twenty-first with two "i"s. In the twenty-second sentence I look down at the list, I have circled no. 18759351 on the list. In the twentisecond sentence I misspell twenty-second using an "i" again. In the twenty-third sentence I read what is written next to no. 18759351, it says, "He was sitting on a bench...," but at this moment a breeze enters in through the open window, lifting the page and you begin reading another line, the words, "And you hand in the application and it takes three months and...." In the twenty-fourth sentence you can see me set the page down as another person walks through the door. I turn off the electronic typewriter and scroll out the page and place it facedown on the desk and I cover it with a notebook you weren't aware was also there on the desk. Now you can see it, it is almost the exact same color as the surface of the desk and now you can see it. These were the twenty-fifth and twenty-sixth sentences, respectively, it is the lot of the twenty-seventh sentence to have to announce that. In the twenty-eighth sentence a cloud passes over the apartment on its way into space. In the twenty-ninth sentence, I think, next year this will be the number of my age. The thirtieth sentence is all about the speed at which time is passing. In the thirty-first sentence I won't care anymore, I'll see that reality only accrues to itself and does not have to mean something. In the thirty-second sentence I want you to agree with me. Things happen by chance, and what Montaigne pleads with us to believe, in an essay, is that fortune makes herself known in the act of reading, there is much that I could not have intended which is yet here, I forget exactly how this goes, this being the thirty-third sentence. I sit down beside myself in the thirty-fourth sentence and say to myself, smiling, even small numbers are big. This is the working of time, the thirty-fifth sentence joins in saying this, too, once one has crossed the years their number does not matter. But what I was trying to get across was, I think in sentence thirty-six, that maybe you could not have done things earlier, maybe it just was not possible in those days for whichever reasons. You spend the thirty-seventh sentence attempting to spell those reasons out. You fall asleep, and in the thirty-eighth sentence you dream about a room. The room is a classroom in which you are alone, says sentence number thirty-nine, the windows have been left open and a sentence can be read on the blackboard. In the fortieth sentence you have to force yourself to go on. Descartes's dream, you remember, in sentence forty-one, provided a quote supposedly from Ausonius. This is the forty-second sentence, Est et non. Then I think it is safe to say that something begins to happen, sentence forty-three tells us. Sentence forty-four says that you should forgive. Sentence forty-five says that you remember this number as having been particularly beautiful when worn by your mother. Sentence forty-six says the figures move away. Sentence forty-seven is a sentence about what loneliness names itself in the paradoxical presence of others. Sentence forty-eight says it has a name. Sentence forty-nine says that I cannot remember this name. Sentence fifty says that I go back and try and live there in that moment when I was saying the name. I say, "Happiness." This was sentence fifty-one. That was sentence fifty-two. Sentence fifty-four is a sentence about how there is too much of so many things, there is too much of all the words, but the world runs on underneath them and I keep on imagining how you could have heard me, how you could not have heard me. Sentence fifty-five is a sentence about picking up the phone. Sentence fifty-six is a sentence about picking up a small cellular phone but not using it and willing the phone to ring on its own. The gray cotton of the sweatshirt I wear is a warm cotton in sentence fifty-seven. In sentence fifty-eight I decide to keep on saying the numbers. In sentence fifty-nine I hold the page up to the light and see the type on the other side show through, In sentence sixty you start to believe me. In sentence sixty-one I start to go back to the beginning. I wonder if I should worry. The world is full of pauses, the world is full with continuations, says sentence sixty-three. I let sentence sixty-four go. In sentence sixty-five it occurs to me that I concern myself here with something that ought not to be touched. Sentence sixty-six is a guess that this is the mystery of counting, that it goes on and means itself without having a meaning. I count the people in the distance I can see from my window in sentence sixty-seven. In sentence sixty-eight the breeze has a sweet smell. In sentence sixty-nine, it turns the last week of May in the year 2008. Sentence seventy concerns the lack of what I wanted, in my own mind, to be saying. In sentence seventy-one I'm going so far as to ask you if you can see this, how much of what I thought lay before me remained in the distance. In sentence seventy-two there is a hill there. In sentence seventy-three we see flowers open their faces and then black snakes slide down the face of the hill. In sentence seventy-four there is still nothing. In sentence seventy-five the moon changes place with the sun. In sentence seventy-six this takes place again, only now it is day. In sentence seventy-seven it is still day. In sentence seventy-eight it is still day. Why do you think about tragedy, sentence seventy-nine wants to know, since it is the least likely thing to happen. Sentence eighty will eventually come to me and want to know what I am doing with myself. Sentence eighty-one reminds me to expect this question. In sentence eighty-two something changes. I stay up two nights running and in the morning the sidewalk seems to rise up and meet my feet underneath my feet. Sentence eighty-four contains the question, didn't you already know that this would start to happen. Sentence eighty-five agrees. When I start to read sentence eighty-six I discover it contains the words, It is also true that what you said could be. For this reason, sentence eighty-seven is a sentence about why there are certainly points of correspondence between what we expect to be the case and what is. Sentence eighty-eight proclaims it feels the excitement and not the work. Sentence eighty-nine takes action without saying anything first. In sentence ninety I cover my eyes. In sentence ninety-one I uncover my eyes so that I can look again. In sentence ninety-two I cover them again. Now I am speaking to you. Now I am speaking to you. Say the words after me just as I say them. What it means to live is the subject of sentence ninety-six. You are moving out of earshot now. We are not going to miss each other. You have an excellent memory. Please never forget I was the one who told you that







TORCH GALLERY: JOAN OF ARC

Mary Szybist

Stone soldier, it's okay now.
I've removed my rings, my watch, my bracelets.

I'm allowed, brave girl,
to touch you here, where the mail covers your throat,
your full neck, down your shoulders
to here, where raised unlatchable buckles
mock-fasten your plated armor.

Nothing peels from you.

Your skin gleams like the silver earrings
you do not wear.

Above you, museum windows gleam October.
Above you, high gold leaves flinch in the garden,

but the flat immovable leaves entwined in your hair to crown you
go through what my fingers can't.
I want you to have a mind I can turn in my hands.

You have a smooth and upturned chin,
cold cheeks, unbruisable eyes,
and hair as grooved as fig skin.

It's October, but it's not October
behind your ears, which don't hint
of dark birds moving overhead,
or of the blush and canary leaves

emptying themselves
in slow spasms
into shallow hedgerows.

Still bride of your own armor,
bride of your own blind eyes,
this isn't an appeal.

If I could I would let your hair down
and make your ears disappear.

Your head at my shoulder, my fingers on your lips—

as if the cool of your stone curls were the cool
               of an evening—
as if you were about to eat salt from my hand.