Showing posts with label Lazyass Weekend Blogging. Show all posts
Showing posts with label Lazyass Weekend Blogging. Show all posts

2014/05/26

Even the Dirt Kept Breathing a Small Breath




No, I am not related to Gregg Popovich, head coach of the San Antonio Spurs, this gif I found on my twitter timeline taken last night during a playoff game. It makes me laugh. I am often asked when presenting a form of ID or when asked my name, Hey, are you related to Gregg Popovich? Popovich, it once took up pages of white pages in Pittsburgh and Youngstown and Cleveland and Chicago and Milwaukee, it's one of the most common Serbian surnames. Youngsters, white pages, also known as phone books, were the slide rules of finding phone numbers back in the Pleistocene.














ROOT CELLAR

Theodore Roethke

Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!—
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath.



2014/05/23

I Like Ping-Gong and Bobcats, Shatterproof Drinking Glasses, the Smell of Kerosene, the Crunch of Carrots





First thought on Donovan's (not ↑ Donovan) exclusion from USMNT WC14 team? That song, which begins playing anytime I think Landon Donovan, won't be in my head all June.

Second thought? Klinsmann building towards 2016 Copa America, better chance go deep there than in WC14 Group of Death. Donovan would not have been on USMNT in 2016, he's 87 in soccer years.

Third thought, and I'd bet the right thought: Donovan is an asshole, Klinsmann is an asshole, Klinsmann has the hammer.

Fourth thought, I am very curious for WC14 for reasons more than just soccer - as in, the potential clusterfuck - but I'm also curious to see where my soccer damn is, cause when it comes to DC United it pretty much has disappeared.

Fifth thought, I always like Steve Hillage's cover better than the original:






  • The journalistic styling of Glenn Greenwald referenced to Starland Vocal Bands' Afternoon Delight.
  • But then Greenwald is savaged by the despicable turd called Kinsley. Ranking turds for turdiness has lost the allure it once had for me.
  • Leaking leaks and the leakers that leak them.
  • Portraits in Courage by Democratic senators: Notably missing among the 50 Democrats in the U.S. Senate who urged the NFL to reconsider the Redskins name this week this week: Tim Kaine and Mark Warner. Those two Senators, of course, represent Virginia, where the Redskins are based, and where the team practices and holds its training camp. Easy, cheap shot here, I know, but fine metaphors abound. And the Racist Slurs' name controversy WILL NEVER BE OVER.
  • Not all men.
  • Debating the death of Twitter: On one side are those nodding their heads in agreement with the recent eulogy for Twitter in The Atlantic. On the other are those claiming that for countless communities, it’s a bustling town square and home for like minds—a platform that excels in giving voice to those who previously didn’t have one.
  • The midfield engine that could.
  • Gaithersburg, the town I grew up in, is the 8th fastest growing city in America.
  • When my parents moved us to Gaithersburg in 1965 the population was 3500.
  • Memorial Day Weekend - it starts today - is the slowest four days of the year in Blegsylvania except for only Thanksgiving. We're hiking Saturday, we're hiking Sunday, we're hiking Monday. There may be blogging here, but barring kaboom it will be lazyass and futile. Well, it would be futile even with kaboom.
  • How to Head in a Jar Prank.
  • Walter Benjamin, for those of you who do.
  • Thomas Bernhard, for those of you who do.
  • Deleuze, for those of you who do.
  • Foucault, for those of you who do.
  • Mary Ruefle interview!
  • And thinking of Hillage makes me think of Gong. These are complete albums of the trilogy, skip ahead to your favorite songs of each of you haven't three hours of so.








THE MOTORCYCLISTS

James Tate

My cuticles are a mess. Oh honey, by the way,
did you like my new negligee? It’s a replica
of one Kim Novak wore in some movie or other.
I wish I had a foot-long chili dog right now.
Do you like fireworks, I mean not just on the 4th of July,
but fireworks any time? There are people
like that, you know. They’re like people who like
orchestra music, listen to it any time of day.
Lopsided people, that’s what my father calls them.
Me, I’m easy to please. I like ping-gong and bobcats,
shatterproof drinking glasses, the smell of kerosene,
the crunch of carrots. I like caterpillars and
whirlpools, too. What I hate most is being the first
one at the scene of a bad accident.

Do I smell like garlic? Are we still in Kansas?
I once had a chiropractor make a pass at me,
did I ever tell you that? He said that your spine
is happiest when you’re snuggling. Sounds kind
of sweet now when I tell you, but he was a creep.
Do you know that I have never understood what they meant
by “grassy knoll.” It sounds so idyllic, a place to go
to dream your life away, not kill somebody. They
should have called it something like “the grudging notch.”
But I guess that’s life. What is it they always say?
“It’s always the sweetest ones that break your heart.”
You getting hungry yet, hon? I am. When I was seven
I sat in our field and ate an entire eggplant
right off the vine. Dad loves to tell that story,

but I still can’t eat eggplant. He says I’ll be the first
woman President, it’d be a waste since I talk so much.
Which do you think the fixtures are in the bathroom
at the White House, gold or brass? It’d be okay with me
if they were just brass. Honey, can we stop soon?
I really hate to say it but I need a lady’s room.



2014/05/10

Ruddy Liturgically Sacrificial Hue





  • Lazyass and Futile Weekend Blogging for the Blog Days of Summer in Dead Blegsylvania. 
  • Going outside today and tomorrow though tomorrow is one of the Holiest Days in Egoslavia. 
  • Hint: one of our rescue Maine Coons is named after the birthday celebrant.
  • The Selfish Individual. On Sontag essays.
  • Desert theory, rehashed.
  • The compartmentalization of injustice.
  • Three plateaus on noise aesthetics.
  • America as Ahab though speaking as Ishmail.
  • Did a major tune-up on blogrolls, purged bleggicides, migrated hibernating blogs to Moribund, added some new joints, please check them out when they float to the top. Only bleggicides were purged; if you are not where you were and you haven't posted in at least three months you've been moved to Moribund so that when you wake up I can see the pleasant surprise.
  • Prunella's latest playlist.
  • Guess what I fell asleep to, woke up with in head. Cause yes, it occurred to me this past Wednesday to open this post for Lazyass and Futile Weekend Blogging for the Blog Days of Summer in Dead Blegsylvania with the song at the top.







SUNT LEONES

Stevie Smith

The lions who ate the Christians on the sands of the arena
By indulging native appetites played what has now been seen a   
Not entirely negligible part
In consolidating at the very start
The position of the Early Christian Church.
Initiatory rites are always bloody
And the lions, it appears
From contemporary art, made a study
Of dyeing Coliseum sands a ruddy
Liturgically sacrificial hue
And if the Christians felt a little blue—
Well people being eaten often do.
Theirs was the death, and theirs the crown undying,
A state of things which must be satisfying.
My point which up to this has been obscured
is that it was the lions who procured
By chewing up blood gristle flesh and bone
The martyrdoms on which the Church has grown.
I only write this poem because I thought it rather looked   
As if the part the lions played was being overlooked.
By lions’ jaws great benefits and blessings were begotten   
And so our debt to Lionhood must never be forgotten.



2014/05/04

The Opposite of Lucky Is Wrong





Yesterday, first the Maryland Sheep and Wool Festival in West Friendship - look for the Border Collie herding sheep and for Hillbilly Jeff's Kettle Corn - and then Maryland back roads and then a five mile circuit hike in Little Bennett: we decided to continue filling in the map instead of going to Sugarloaf, there are just two of the twenty-two miles left to go. Back outside today. For links and clusterfuck engagement I refer you back to yesterday's post (this is, after all, Lazyass Weekend Blegging for Futile Weekend Blegging in Dead Blegsylvania), but because I love you (and because I am an attention slut) have two fresh songs and a fresh poem.








DANGERS

Rodney Jones

From the first, I was too reluctant, achieving by dribs and drabs,   
Happy to linger in shallows while others jackknifed from cliffs, wrong
To exact perfection from a sad piece or add notes to a proven tune;   
But ever the classicist:
                                     in swimming lessons, slowest to learn;
In fights, tentative, preferring the hammerlock to the jab and hook; cautious
In the earliest romances, choking in the clutch, fumbling the caress; or shy
Among the crew-cut Cupids bristling at the armory’s weekend dances;   
But shifty in every game, keeping it close. Always holding still   
And adjuring others to go slow
                                              until we leapt forward that night out of control
And pinned to the seats of Tyler Wilson’s outlandishly unstock Ford   
While, from the opposite side of the valley, scalding in each curve, came the black din
And brunt of Sonny Walker’s highjacker Chevrolet, everyone screaming   
And bearing down to be first across the bridge at Hurricane Creek.

Many trophies show us frozen: a leg poised for the hurdle, an arm cocked for the unanswerable spike.
What I remember through the windshield’s splintering lens is time, a mailbox
Rushing by, the letters TURRENTINE,
                                                      then darkness rolling inside;
Though memory, at best, retrieves maybe six percent in studio light,   
So even now I think we might have turned:
                                                               smart with his hands,
There is a kind of savior who blusters through the South, good with animals and machines,
Who surely somehow would have found a gap, through an open gate   
Into a marshy cornfield


                                    or up a logging road into a hillside wood.   
At any rate, there is just a little while, shy of any bridge, just as judgment
Balances its two blind alternatives and a third accelerates head-on.   
I’ve made a careful study: things that can only be accomplished in deep space,
In another language, in far history, at an almost incalculable speed. Courage is not included, or much foolishness.
They spin the purest glass, they split the atom, they speak with God.

They make a sort of Teflon hip and attach it with metal screws,   
Only the threads upbone keep stripping
                                                          so they have to operate
Again and again, and what she’s accomplished is more of a gait, really,
Than a walk, so when she moves toward me, across any room,   
I think too much of my own will
                                                implicated in that dragging brace.   
Each step is obviously trained, and the whole earned motion full   
Of muscle, plastic, and bone
                                           is coordinated by nerves even the   
Strictest dance does not require. She has said there is no fault,   
But even in such talk,
                                  grace occurs as an accident someone caused.   
If what I require is a thing too certain, braided from probabilities,
There is another thing
                                  articulated in the scars that saved her face—   
And no right now in that night we were shaken and rolled like dice, no right to
Say this guilt to be alive is love, or the opposite of lucky is wrong.



2014/05/03

They Debate and Obey





This week in both Futile Weekend Blegging and Lazyass Weekend Blegging: As I type this Friday evening eightish Eastern Daylight Time a debate is taking place between major asshole Alan Dershowitz, major grifter Glenn Greenwald, and major war criminal Mike Hayden. Twitter's abuzz.  Let President Barack Obama explain how this works:

Chancellor Angela Merkel of Germany said Friday that there were still significant differences between Germany and the United States over the issue of surveillance, and warned that it was too soon to return to “business as usual” between the two allies.

At a joint news conference at the White House, both Ms. Merkel and President Obama addressed the tensions between the two countries caused by the disclosure last October that the National Security Agency had eavesdropped on Ms. Merkel’s phone calls. At the time, Ms. Merkel said that “spying between friends is simply unacceptable,” and that there had been a breach of trust that would have to be repaired.

Speaking in the Rose Garden after a meeting with Mr. Obama, Ms. Merkel said that “we have a few difficulties still to overcome,” noting in particular a difference “on the issue of proportionality.”

Mr. Obama, trying to put a good face on the situation, said, “We have gone a long way to closing some of the gaps, but as Chancellor Merkel said, there are some gaps that need to be worked through.”

“These are complicated issues,” the president said, as he looked over at Ms. Merkel. “We’re not perfectly aligned yet, but we share the same values, and we share the same concerns.”

“Angela Merkel is one of my closest friends on the world stage, somebody whose partnership I deeply value,” Mr. Obama said. “It has pained me to see the degree to which the Snowden disclosures have created strains in the relationship.”

Leader of the Free World, motherfuckers, assigning responsibility for his assholosity, showing how Snowden still works for him. While I still need circle jerk, there're reasons I don't circle jerk like I used to. And I agree: it's been far too long since I posted The Knife.




















IN HELL THE UNITS ARE THE GALLON AND THE FUCK

Anthony Madrid

The unit of wine is the cup. Of Love, the unit is the kiss. That’s here.
In Hell, the units are the gallon and the fuck. In Paradise, the drop and the glance.

Ants are my hero. They debate and obey. They can sit at a table for
Eight hours, drawing. They spot out the under-theorized . . .

Have some. For they are as abundant here as the flecks of mica in the Iowa night sky.
What are twenty-sided dishes of fancy almonds? What use jewels?

He is Kālidāsa. You are nothing. Or rather, you’re a tray of stainless steel cones.
Meanwhile, one opens Kumārasambhava to rainbow-colored crystals pointing every which way.

Nice try. You’re a tank-builder but you refuse to build tanks. And so now you are to be watched over
By three heckling birds, evilly named, discomfiting to children.

¡Fijate! you’re to be watched by three fowl, commonplace in Florida. Even these
Three hearty objectionables: the blue tit, the woodpecker, and the swampcunt.

I’m one to talk. I’m so twisted up, my only hope is Salena. My physical therapist,
With the eyes of Athena, and the hands of a destroying eagle.



2014/04/19

The Game Enforces Smirks; but We Have Seen the Moon in Lonely Alleys Make a Grail of Laughter of an Empty Ash Can, and Through All Sound of Gaiety and Quest Have Heard a Kitten in the Wilderness












CHAPLINESQUE

Hart Crane

We make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.

For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.

We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!

And yet these fine collapses are not lies
More than the pirouettes of any pliant cane;
Our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
What blame to us if the heart live on.

The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.



2014/03/09

We Stopped for Corn, Just Picked, and Plums and Kale





I hadn't looked ahead on the birthday schedule when I posted a John Cale cascade this past Monday. Lucky you, lucky me. He's seventy-two today. Here's one of my ten most air-guitared songs ever:












DRIVING TO CAMP LEND-A-HAND

Berwyn Moore

The day we picked our daughter up from camp,   
goldenrod lined the road, towheaded scouts   
bowing on both sides, the parting of macadam   
as we drove, the fields dry, the sky lacy with clouds.   
A farmer waved.  A horse shrugged its haughty head.   
We stopped for corn, just picked, and plums and kale,   
sampled pies, still warm, and tarts and honeyed bread.   
Sheets on a line ballooned out like a ship’s sail.   
Time stopped in those miles before we saw her.   
For eight days we hadn’t tucked her in or brushed   
her hair or watched her grow, the week a busy blur   
of grown-up bliss.  It came anyway, that uprush   
of fear—because somewhere a child was dead:   
at a market, a subway, a school, in a lunatic’s bed.



2014/03/02

Your Reputation for Saying Things of Interest Will Not Be Marred if You Hasten to Other Topics




  • I'm glad to hear some of you dug the Wilbur. Have more.
  • I confess, I haven't paid the attention to the Ukrainian clusterfuck as once I would have. If you have time and interest, tell me please, is this a relatively accurate assessment vis a vis the source, The New York Review of Books? I mean to say, as a thirty-five year subscriber to NYRB, I understand its biases - they were once, in most cases, still, in some cases, my biases.
  • Reichstag fire in Kiev.
  • Not a Reichstag fire in Kiev.
  • Sorta amazing, reading the above two, to note what the NYRB article leaves out, yes?
  • Khlam!
  • I was asked by L this past Tuesday Night Pints what part of my disengagement from motherfuckering is my growing conflict aversion. Somewhere between lots and not at all. The cost/benefit of not motherfuckering the old motherfuckers is - in my case - a growing lack of interest in motherfuckering anything at all.
  • Having said that, fuck the motherfucking Oscars.
  • On the importance of keeping investors out of the newsroom.
  • The cryptopolitics of cryptocurrency.
  • Maggie's weekly links.
  • { feuilleton }'s weekly links.
  • New Inquiry's Sunday reads.
  • Stravinsky, for those of you who do.






LYING

Richard Wilbur

To claim, at a dead party, to have spotted a grackle,
When in fact you haven’t of late, can do no harm.
Your reputation for saying things of interest
Will not be marred, if you hasten to other topics,
Nor will the delicate web of human trust
Be ruptured by that airy fabrication.
Later, however, talking with toxic zest
Of golf, or taxes, or the rest of it
Where the beaked ladle plies the chuckling ice,
You may enjoy a chill of severance, hearing
Above your head the shrug of unreal wings.
Not that the world is tiresome in itself:
We know what boredom is: it is a dull
Impatience or a fierce velleity,
A champing wish, stalled by our lassitude,
To make or do. In the strict sense, of course,
We invent nothing, merely bearing witness
To what each morning brings again to light:
Gold crosses, cornices, astonishment
Of panes, the turbine-vent which natural law
Spins on the grill-end of the diner’s roof,
Then grass and grackles or, at the end of town
In sheen-swept pastureland, the horse’s neck
Clothed with its usual thunder, and the stones
Beginning now to tug their shadows in
And track the air with glitter. All these things
Are there before us; there before we look
Or fail to look; there to be seen or not
By us, as by the bee’s twelve thousand eyes,
According to our means and purposes.
So too with strangeness not to be ignored,
Total eclipse or snow upon the rose,
And so with that most rare conception, nothing.
What is it, after all, but something missed?
It is the water of a dried-up well
Gone to assail the cliffs of Labrador.
There is what galled the arch-negator, sprung
From Hell to probe with intellectual sight
The cells and heavens of a given world
Which he could take but as another prison:
Small wonder that, pretending not to be,
He drifted through the bar-like boles of Eden
In a black mist low creeping, dragging down
And darkening with moody self-absorption
What, when he left it, lifted and, if seen
From the sun’s vantage, seethed with vaulting hues.
Closer to making than the deftest fraud
Is seeing how the catbird’s tail was made
To counterpoise, on the mock-orange spray,
Its light, up-tilted spine; or, lighter still,
How the shucked tunic of an onion, brushed
To one side on a backlit chopping-board
And rocked by trifling currents, prints and prints
Its bright, ribbed shadow like a flapping sail.
Odd that a thing is most itself when likened:
The eye mists over, basil hints of clove,
The river glazes toward the dam and spills
To the drubbed rocks below its crashing cullet,
And in the barnyard near the sawdust-pile
Some great thing is tormented. Either it is
A tarp torn loose and in the groaning wind
Now puffed, now flattened, or a hip-shot beast
Which tries again, and once again, to rise.
What, though for pain there is no other word,
Finds pleasure in the cruellest simile?
It is something in us like the catbird’s song
From neighbor bushes in the grey of morning
That, harsh or sweet, and of its own accord,
Proclaims its many kin. It is a chant
Of the first springs, and it is tributary
To the great lies told with the eyes half-shut
That have the truth in view: the tale of Chiron
Who, with sage head, wild heart, and planted hoof
Instructed brute Achilles in the lyre,
Or of the garden where we first mislaid
Simplicity of wish and will, forgetting
Out of what cognate splendor all things came
To take their scattering names; and nonetheless
That matter of a baggage-train surprised
By a few Gascons in the Pyrenees
Which, having worked three centuries and more
In the dark caves of France, poured out at last
The blood of Roland, who to Charles his king
And to the dove that hatched the dove-tailed world
Was faithful unto death, and shamed the Devil.



2014/03/01

What's Lightly Hid Is Deepest Understood, and When with Social Smile and Formal Dress She Teaches Leaves to Curtsey and Quadrille, I Think There Are Most Tigers in the Wood





High Egoslavian Holy Day! Chopin, born in 1810 on either February 22nd or March 1st depending on which calendar one uses, I've used both days in the past, arbitrarily chose March 1st this year. I fell asleep listening to the Nocturnes so have four Nocturnes. There are better sounding youtubes but I love the scrolling scores. I've posted so much Chopin over the years I'm sure I've posted all of these before, and so?

Richard Wilbur, whose The Writer provides the title of my favorite post past, present, future (it comes and goes as Planet and I need it), and whose poetry reminds me that spirituality need not have denomination or direct object, was born ninety-three years ago today. I've posted so much Wilbur over the years I'm sure I've posted all of these before, and so?






ADVICE TO A PROPHET

Richard Wilbur

When you come, as you soon must, to the streets of our city,   
Mad-eyed from stating the obvious,
Not proclaiming our fall but begging us
In God’s name to have self-pity,

Spare us all word of the weapons, their force and range,   
The long numbers that rocket the mind;
Our slow, unreckoning hearts will be left behind,   
Unable to fear what is too strange.

Nor shall you scare us with talk of the death of the race.   
How should we dream of this place without us?—
The sun mere fire, the leaves untroubled about us,   
A stone look on the stone’s face?

Speak of the world’s own change. Though we cannot conceive   
Of an undreamt thing, we know to our cost
How the dreamt cloud crumbles, the vines are blackened by frost,   
How the view alters. We could believe,

If you told us so, that the white-tailed deer will slip   
Into perfect shade, grown perfectly shy,
The lark avoid the reaches of our eye,
The jack-pine lose its knuckled grip

On the cold ledge, and every torrent burn
As Xanthus once, its gliding trout
Stunned in a twinkling. What should we be without   
The dolphin’s arc, the dove’s return,

These things in which we have seen ourselves and spoken?   
Ask us, prophet, how we shall call
Our natures forth when that live tongue is all
Dispelled, that glass obscured or broken

In which we have said the rose of our love and the clean   
Horse of our courage, in which beheld
The singing locust of the soul unshelled,
And all we mean or wish to mean.

Ask us, ask us whether with the worldless rose   
Our hearts shall fail us; come demanding   
Whether there shall be lofty or long standing   
When the bronze annals of the oak-tree close.





   

AFTER THE LAST BULLETINS

Richard Wilbur
    
After the last bulletins the windows darken   
And the whole city founders readily and deep,   
Sliding on all its pillows
To the thronged Atlantis of personal sleep,

And the wind rises. The wind rises and bowls   
The day’s litter of news in the alleys. Trash   
Tears itself on the railings,
Soars and falls with a soft crash,

Tumbles and soars again. Unruly flights   
Scamper the park, and taking a statue for dead   
Strike at the positive eyes,
Batter and flap the stolid head

And scratch the noble name. In empty lots   
Our journals spiral in a fierce noyade   
Of all we thought to think,
Or caught in corners cramp and wad

And twist our words. And some from gutters flail   
Their tatters at the tired patrolman’s feet,
Like all that fisted snow
That cried beside his long retreat

Damn you! damn you! to the emperor’s horse’s heels.   
Oh none too soon through the air white and dry   
Will the clear announcer’s voice
Beat like a dove, and you and I

From the heart’s anarch and responsible town   
Return by subway-mouth to life again,   
Bearing the morning papers,
And cross the park where saintlike men,

White and absorbed, with stick and bag remove   
The litter of the night, and footsteps rouse   
With confident morning sound
The songbirds in the public boughs.






    
CEREMONY 

Richard Wilbur

A striped blouse in a clearing by Bazille   
Is, you may say, a patroness of boughs   
Too queenly kind toward nature to be kin.   
But ceremony never did conceal,
Save to the silly eye, which all allows,
How much we are the woods we wander in.

Let her be some Sabrina fresh from stream,
Lucent as shallows slowed by wading sun,
Bedded on fern, the flowers’ cynosure:
Then nymph and wood must nod and strive to dream   
That she is airy earth, the trees, undone,
Must ape her languor natural and pure.

Ho-hum. I am for wit and wakefulness,   
And love this feigning lady by Bazille.   
What's lightly hid is deepest understood,   
And when with social smile and formal dress   
She teaches leaves to curtsey and quadrille,   
I think there are most tigers in the wood.



2014/02/23

O What a Physical Effect It Has on Me to Dive Forever into the Light Blue Sea of Your Acquaintance!










THE MAGIC OF NUMBERS

Kenneth Koch


                                        The Magic of Numbers—1


How strange it was to hear the furniture being moved around in the apartment upstairs!
I was twenty-six, and you were twenty-two.


                                   The Magic of Numbers—2

You asked me if I wanted to run, but I said no and walked on.
I was nineteen, and you were seven.


                                   The Magic of Numbers—3

Yes, but does X really like us?
We were both twenty-seven.


                                   The Magic of Numbers—4

You look like Jerry Lewis (1950).


                                   The Magic of Numbers—5

Grandfather and grandmother want you to go over to their house for dinner.
They were sixty-nine, and I was two and a half.


                                   The Magic of Numbers—6

One day when I was twenty-nine years old I met you and nothing happened.


                                   The Magic of Numbers—7

No, of course it wasn’t I who came to the library!
Brown eyes, flushed cheeks, brown hair. I was twenty-nine, and you were sixteen.


                                  The Magic of Numbers—8

After we made love one night in Rockport I went outside and kissed the road
I felt so carried away. I was twenty-three, and you were nineteen.


                                  The Magic of Numbers—9

I was twenty-nine, and so were you. We had a very passionate time.
Everything I read turned into a story about you and me, and everything I did was turned into a poem.







IN LOVE WITH YOU

Kenneth Koch

                                                             I


O what a physical effect it has on me
To dive forever into the light blue sea
Of your acquaintance! Ah, but dearest friends,
Like forms, are finished, as life has ends! Still,
It is beautiful, when October
Is over, and February is over,
To sit in the starch of my shirt, and to dream of your sweet
Ways! As if the world were a taxi, you enter it, then
Reply (to no one), “Let’s go five or six blocks.”
Isn’t the blue stream that runs past you a translation from the Russian?
Aren’t my eyes bigger than love?
Isn’t this history, and aren’t we a couple of ruins?
Is Carthage Pompeii? is the pillow the bed? is the sun
What glues our heads together? O midnight! O midnight!
Is love what we are,
Or has happiness come to me in a private car
That’s so very small I’m amazed to see it there?


                                                       2

We walk through the park in the sun, and you say, “There’s a spider
Of shadow touching the bench, when morning’s begun.” I love you.
I love you fame I love you raining sun I love you cigarettes I love you love
I love you daggers I love smiles daggers and symbolism.


                                                       3

Inside the symposium of your sweetest look’s
Sunflower awning by the nurse-faced chrysanthemums childhood
Again represents a summer spent sticking knives into porcelain raspberries, when China’s
Still a country! Oh, King Edward abdicated years later, that’s
Exactly when. If you were seventy thousand years old, and I were a pill,
I know I could cure your headache, like playing baseball in drinking-water, as baskets
Of towels sweetly touch the bathroom floor! O benches of nothing
Appear and reappear—electricity! I’d love to be how
You are, as if
The world were new, and the selves were blue
Which we don
Until it’s dawn,
Until evening puts on
The gray hooded selves and the light brown selves of . . .
Water! your tear-colored nail polish
Kisses me! and the lumberyard seems new
As a calm
On the sea, where, like pigeons,
I feel so mutated, sad, so breezed, so revivified, and still so unabdicated—
Not like an edge of land coming over the sea!



2014/02/22

Bleggal Kayfabe!




"You can use a brush rack to hit the brush on. Otherwise you will become unpopular real fast."

- Bob Ross


60 degrees and sunny today, going outside. Back tomorrow, probably. Have a Mekons song.



2014/02/15

The Alphabet and the Cello Can Represent Horses but I Can Only Pretend to Be a Dog Slurping Pudding





Bryce played Felix Kubin yesterday. Bryce's show is my favorite three hours of radio each week. Yes, an unintended though fortunate tradition has arisen here: what interests me most from Bryce's show is often played here Saturday. I seek out Friday evening what Bryce played Friday afternoon to hear more, learn more, hope to discover new things via ricochet and tangents. Sometimes I own some of the music, most often not, as was the case with Kubin, who I know of but don't know much. I go to WFMU and in the search box on the left column I type the name of the musician and/or band and then look at the songs in the all the playlists the music appears then find the music if possible. Sometimes, depending of when and how WFMU archived their shows there are convenient pop-ups, but WFMU only began providing the pop-up format a couple of years ago, most of the time I need find the songs on youtube or elsewhere. I did this for Kubin last night. Turns out I don't find Kubin that interesting (I'll take the blame), though in looking at playlists I was reminded of Laurie Spiegel whose Expanding Universe is one of my favorite albums. Spent last night with it, in fact.







More Spiegel later, but here, a hastily shot video from my dining room yesterday morning, a 30 second clip of  (extraordinary bad quality) robins, mad with hunger, in a holly bush.





    
  • Earthgirl was with me, she can vouch: There must have been five, six dozen. They stripped that holly of berries in ten minutes. The ferals watched from the back porch (judging, I anthropomorphize, eight inches of heavy melting snow made for poor hunting), the insides watched from the dining table.
  • I am so dope I think if I find something interesting all others, not just some others (much less no one) will find it interesting too (though a friend did tweet that he liked the Spiegel I tweeted last night). Fine metaphors abounding, life in general, this blog in particular. The same dope mechanism works for repeating gags I find funny.
  • Wiki says a Spiegel piece was used for the "cornucopia scene" in the movie version of The Hunger Games. Forgive me if I don't draw the same gratuitous moral outrage at this as I did at motherfucking Eric Clapton's motherfucking Michelob commercial thirty-five years ago. I'm older, hope I'm smarter about how stupid I am for gratuitous moral outrage, save it for grander stupider things. Plus Clapton sucked long before the Michelob commercial and even longer after.
  • This blog had a fuckload more readers when I indulged my gratuitous moral outrage on a large daily basis.
  • The vile mood, lifted. I was asked last night by a dear friend why I've changed (and changed for the better, she claims). I said I haven't changed. She cited examples, gave me a chance to consider before I'd deny and she could call me a liar. I conceded. It's too much work, I said, to think everyone of bad faith even if the faith they have is bad in my bad faith opinion. 
  • This post did not start out to be intentionally relatively link free - it did set out to be a lazyass weekend post - but check the blogrolls, people by and large are (sensibly) hibernating. 
  • Re: the above - bleggalgazing.
  • The above method for finding the benefits of ricochets and tangents in music works for poetry too! Find a favorite poem and type what you think is a keyword into the search box of Poetry Foundation, for instance, and see what poets you had forgot, hadn't thought about it years, never heard of, pop up, then read them.


*



[A STRAIGHT RAIN IS RARE]

Lyn Hejinian

A straight rain is rare and doors have suspicions
and I hold that names begin histories
and that the last century was a cruel one. I am pretending
to be a truck in Mexico. I am a woman with a long neck and a good burden
and I waddle efficiently. Activity never sleeps and no tale of crumbling cliffs
can be a short one. I have to shift weight favorably. Happiness
can’t be settled. I brush my left knee twice, my right once,
my left twice again and in that way advance. The alphabet
and the cello can represent horses but I can only pretend
to be a dog slurping pudding. After the 55 minutes it takes to finish
my legs tremble. All is forgiven. Yesterday is going the way of tomorrow
indirectly and the heat of the sun is inadequate at this depth. I see
the moon. The verbs ought and can lack infinity and somewhere
between 1957 when the heat of the dry sun naughtily struck me
and now when my secrets combine in the new order of cold rains
and night winds a lot has happened. Long phrases
are made up of short phrases that bear everything “in vain” or “all
in fun” “for your sake” and “step by step” precisely. I too can spring.



2014/02/02

Certainly Love Has Commerce with Vermin, but It Is a Friendly Partnership, Not a League of Discord





I don't think anyone holds me to the promises I make here except me (I don't think anyone pays any attention to the promises I make here except me), but I promised a Dischord cascade a couple of weeks ago, I didn't forget, I got pushed in different directions, here it is.







  • I also promise myself I'll post on days I know are the least busy days in Blegsylvania, so here this is.
  • Focus: There is much more to discuss in the architecture of fear; the poetics of space that Bachelard didn’t realize I don’t think. Perhaps its more the de-poeticizing of space. But that is, I trust, next post. For now, there are clearly tendencies at work in how public space is being militarized. The city as war zone. The gated rich at at command headquaters, where foot soldiers guard the aristocracy. Class segregation is an open concept, now, and increasingly expressed nonchalantly. Narrative must find resistance through new strategies that will express the clarity, for the low grade resolution of CCTV image is reflected in the blurred babblings of much of what passes for journalism and thinking today. The language of piercing limpid transparancy is ever harder to find. A lack of focus, in thought, in architecture, in narrative. The CCTV age.
  • Ceravolo, moneylenders, Super Bowl 48.
  • The rejection of shame.
  • Mr Charlie meets Mr Chomsky.
  • Martin O'Malley says Fuck Your Hillarian Inevitability. The governor of my state is a funny man.
  • { feuilleton }'s weekend links.
  • The activity of writing.
  • Milosz's Incantation.








WORMS AND US

Rachel Wetzsteon

Maggots in the food, maggots in the floorboards,
maggots in the recurring nightmare in which,
lying down with a rugged adonis,
I wake to find him almost nibbled away.
Certainly signs of death are everywhere,
but love is more than combat with worms
and cannot be so glibly explained away;
I do not tremble or knock my knees
to keep the maggots slumbering below ground,
or crush them underfoot by flocking to
everything they are not: raucous gatherings,
stolen kisses. On the contrary,
I come away from parties adoring
what is wormlike in them: the unrisen soufflé,
the precocious boy’s octogenarian sayings,
the drooping lids of the hostess, someone’s
death rattle of a laugh. Certainly love has
commerce with vermin, but it is a friendly
partnership, not a league of discord;
a hacking cough gives proof of a full life,
a passing stranger seems all the stronger
when one foot is sinking quietly into the grave.
    II.
But is is this lingering horror of dust
that makes me pull us out of the cold earth
any way I know how: because I strive
for heaven in little rooms, visit you
in order to suck your blood, then spread it
over pipes and daffodils, and shove you
up to the vacant sky, where you hover
like a stone-cold, tedious statue who never dies,
you, poor pawn, are a jack-in-the-box gone haywire,
and I am a grinning humanist with bad dreams.




2014/02/01

The Song Sparrow Puts All His Saying into One Repeated Song





Relinking to Richard's review of his Music 2013 not only because I added it late to yesterday's post and not only because it is full of great music suggestions but mostly because he mentioned the Pere Ubu show at Rock and Roll Hotel we attended last September and I was reminded that I recorded the above, a live version of this shitty blog's long-time Theme Song Two, it's over to the left, has been for years.





  • I did not know that. See Theme Song Three.
  • Chomsky as moral compass?
  • On Chomsky in the role of moral compass and his fans.
  • Good friend Jay Paleo Old Arra Dirty 101 Bama and I emailed last night, this post's title came to mind when I wrote this: As always it comes down to each individual's level of moral pragmatism. Give that Chomsky serves power in ways he's either unaware of (which, being Chomsky, I find highly improbable) or is aware of his situation and decides that there IS no alternative to Capital's power, there's only ways of mitigating its rapacious drive. Um, less-shittyism, let's call it. I'm always reminded of George Carlin's definition of the difference between a jerk and and asshole: a jerk is someone who drives slower than you, an asshole someone who drives faster. 
  • Brutality and complexity in the global economy.
  • Slap-single switch-hitter batting helmet as brand for Corporate mendacity. 
  • He, for one, welcomes his new insect overlords.  
  • Anne Carson's Glass Essay.
  • Philip Glass turned 77 yesterday. Here's Metamorphosis, here's:






GLASS

A.R. Ammons

The song
sparrow puts all his
saying
into one
repeated song:
what
  
variations, subtleties
he manages,
to encompass denser
meanings, I’m
too coarse
to catch: it’s
  
one song, an over-reach
from which
all possibilities,
like filaments,
depend:
killing,
  
nesting, dying,
sun or cloud,
figure up
and become
song—simple, hard:
removed.