Showing posts with label High Egoslavian Holy Day Eve. Show all posts
Showing posts with label High Egoslavian Holy Day Eve. Show all posts

2014/06/13

I Got A Vacuum Cleaner in My Head





Tomorrow is a High Egoslavian Holy Day, the song above this blog's Theme Song Two since day one, guess whose birthday. Requests - Pere Ubu, Two Pale Boys, Rocket from the Tomb, any Thomas project  - for tomorrow's deluge welcome.

2014/05/31

It's So Self-Indulgent to Think You Like This Song





That has been this blog's Bleggalgazing Gag from Day One. It is by far the most posted youtube in this blog's history. I've watched it at least a dozen times each time I've posted it. Of the almost 12K views, I'm guessing 1K are mine. It gets better, deeper with each viewing. I'm writing this sentence at eight o'clock Friday night. I've already watched it seven times, by the time this is posted Saturday morning I'll watch it a half dozen more. There is nothing I can write - nothing I can imagine anyone far more talented than me writing - that bleggalgazes better, deeper. It restores my faith in my fuck it, my fuck this. Chris Elliott is fifty-four today. Today is an Egoslavian High Holy Day. Here's this blog's official Bleggalgazing Anthem:







So today I bleggalgaze. Friends analog and digital have told me they like when I write. I like when I write. One of this blog's oldest mantras is I do this for me and mine. I need occasional reminding. There will be no hiatus, no abandonment, Egoslavian Holy Days will be observed. I will, however, try to release myself - how successfully and for how long I'll find out - from the obsessive bleggal obligations masquerading as responsibility to the reader I use to feed my attention sluttery. It's not that I want to post less, it's that I want to stop posting like a motherfucking addict. Fuck it, fuck this, fuck that. That includes not posting daily. It includes not not posting daily. It means not posting compulsively, it means not posting for pings, it means posting what I know will drive away pings (hiking, travelogs, and, especially, bleggalgazing) because they are my favorite posts. It means not spending two hours an evening fishing for links every evening if I don't feel like spending two hours that evening fishing for links. It requires distinguishing when I want to post and when I don't, when all I want is attention when I've nothing but fished links and songs and a poem to offer, it means posting when all I have is a song I want you to hear and a poem I want you to hear. I do know the difference, will try to honor it.

As always, thanks for reading. If you are Kinding me and me not you please let me know. Here, this shitty blog's Number One Theme Song, has been since Day One:



2014/05/28

Every Tonal Difference, Every Sound





The Egoslavian birthdayiest month of the year continues: as of this moment, all three posts on the blog's front page are birthday posts. Gyorgy Ligeti was born eighty-six years ago today. As always with me and composers, I love most if not all of a composer's work but always love the solo piano pieces best. Here's Ubuweb's typically generous Ligeti sound page.







Earthgirl and Planet and I had dinner last night with B, the young woman who stayed at our house when moving to DC for a new job while looking for an apartment who has become not only our cat-sitter but our friend. The combined ages of Planet and B is ten years younger than me. As always, I thought, what the fuck world will my daughter be inhabiting when she is my age in 2047? It seems to me the descent to clusterfuck is increasing both in angle and in speed. When I got home I found myself link-fishing the clusterfuck. I can still get angry, to no effective purpose, apparently. Then I listened to Ligeti piano sonatas while looking for poems for this post.















from MOZART'S THIRD BRAIN

Goran Sinnevi

Translated by Rika Lesser

CV

Not-Orpheus is singing   He sings his nothing   He sings his night   
He sings all the names   The name of nothing   The only name    Since   
long ago   He didn’t know it   And knew it in his night   
All things sing   All names sing   Every tonal difference, every
sound   All music in its destruction   In its sublation   Toward which point?
The mountain of nothing hovers   Before it crushes us   With its night   With its
   song  
In the evening I walked through town with you, Dearest, along the river   
A clear cold spring evening, the half-moon shone   As if walking in a foreign city   
Though I recognized parts of it   You said it was almost like   
walking in Prague, where we would have been if my mother hadn’t fallen ill   
When we stood by one corner of the Hotel Svea, where I played in a dance band in
    1957,   
the huge flock of jackdaws, in the trees by the bastion near the castle, flew   
out over the river, in micropolyphonic conversation    As in a piece by Ligeti   
That night I dreamed I crossed a bridge spanning the river, now very broad   
The long bridge was swaying, huge ocean swells entering the river from the sea   
I walked with a girl, kissed her on the mouth, on the opposite bank   
In the morning you came into my bed, Dear, we slinked like teenagers, so my   
       mother wouldn’t hear us,
where she slept, in the room outside ours   She’s already much better   
I look at my face in the bathroom mirror   Will I manage to go out into the Brain  
Trucks pass   Traffic goes on, in the great exchange of goods   
Gulls, trees, people   The degree of virtuality in different goods, the phantasms   
also in what we eat, conceptions of origin, contents, effects
Fear    Cultivated tastes    We are in the immediacy of memory    Only in a flash of
astonishment can memory be broken   But even lightning is informed    I look at
    the
      magical   
diagrams of Giordano Bruno, read his texts   See that all this is exactly as in   
Jung, fundamental magical forms, for guiding the divine,   
the unknown within the soul   Also the similarity with tantric forms      
    Yes, that’s   
        how it is,   
I think, both Freud and Jung are magicians, the difference in rationality is   
only marginal, Jung’s a little older, Freud’s more modern, a continuation of   
Descartes, developed later in Spinoza’s pneumatic model for the passions,   
and yet both are found, subsumed in Bruno’s love-flow, the lineage backward,   
the tantric flow, also Plato’s Diotima, her flow . . .   
Hölderlin saw the stream of people in dark water, streaming over   
the ledges in the human-geological world, the levels of the abyss,   Para-   
       dise’s various degrees of stasis   
What use can I make of these magical forms? I’m no magician    And yet
I acknowledge their power, also within my self   If they prevail, sovereignty   
is crushed   Libero arbitrio   There the forms also break down   
The stream of love breaks down    Fluid lightning    The flash of vibrating being   
But also the flash of darkness   The light of Beatrice’s eyes, their lightning
    flash   How  
am I to understand this? How to understand unknowing   That I do not!








INFINITE RICHES IN THE SMALLEST ROOM

Lucie Brock-Broido

Silk spool of the recluse as she confects her eventual mythomania.

If it is written down, you can't rescind it.

Spoon and pottage bowl. You are starving. Come closer now.

What if I were gone and the wind still reeks of hyacinth, what then.

Who will I be: a gaudy arrangement of nuclei, an apple-size gray circle

On the tunic of a Jew, preventing more bad biological accidents

                                From breeding-in. I have not bred-

In. Each child still has one lantern inside lit. May the Mother not

Blow her children out. She says her hair is thinning, thin.

The flowerbed is black, sumptuous in emptiness.

Blue-footed mushrooms line the walkway to my door. I would as soon

Die as serve them in a salad to the man I love. We lie down

In the shape of a gondola. Venice is gorgeous cold. 3 December,

Unspeakable anxiety about locked-in syndrome, about a fourth world.

I cannot presume to say. The violin spider, she

Has six good eyes, arranged in threes.

                                The rims of wounds have wounds as well.

Sphinx, small print, you are inscrutable.

                                                            On the roads, blue thistles, barely

Visible by night, and, by these, you may yet find your way home.



2014/02/24

High Egoslavian Holy Day Eve, Woo!




Other than my anniversary and loved one's birthdays (Planet's being Highest!) there are no higher Egoslavian Holy Days than tomorrow. Two big birthdays, George's  (I still love George, have always loved George best, people can vouch), the above song one of my go-tos when I listened for soft landings of crashes. Let me know if you want a particular post-Beatles tune (nothing against George's Beatles songs, I don't need to hear Beatles songs, I can pull one up in my head whenever I want), Wilburys welcome (though Handle with Care, George's best Traveling Wilburys song and the best Traveling Wilburys song, is already in the post).

The other you'll have to wait though have this clue: His shoes cost more than your house.