Showing posts with label Pynchon. Show all posts
Showing posts with label Pynchon. Show all posts

2014/05/08

Seventy-Seven Today, or: Smegmo Is the Messiah of Kitchen Fats





More Cardew for his birthday yesterday. HEY! Thomas Pynchon was born 77 years ago today.

  • Proverbs for Paranoids:
  1. You may never get to touch the Master, but you can tickle his creatures.
  2. The innocence of the creatures is in inverse proportion to the immorality of the Master.
  3. If they can get you asking the wrong questions, they don't have to worry about answers.
  4. You hide, they seek.
  5. Paranoids are not paranoid because they're paranoid, but because they keep putting themselves, fucking idiots, deliberately into paranoid situations.

Gravity's Rainbow, above and below.


     There is no graceful way out of this now. Darlene has brought a couple-three more candy jars down off the shelf, and now he goes plunging, like a journey to the center of some small, hostile planet, into an enormous bonbon chomp through the mantle of chocolate to a strongly eucalyptus -flavored fondant, finally into a core of some very tough grape gum arabic. He fingernails a piece of this out from between his teeth and stares at it for awhile. It is purple in color.
     "Now you're getting the idea!" Mrs Quoad waving at him a marbled conglomerate of ginger root, butterscotch, and aniseed, "you see, you also have to enjoy the way it looks. Why are Americans so impulsive?"
     "Oh try this," hollers Darlene, clutching her throat and swaying against him.
     "Gosh it must really be something, " doubtfully taking this nasty-looking brownish novelty, an exact quarter-scale replica of a Mills-type hand grenade, lever, pin and everything, one of a series of patriotic candies put out before sugar was quite so scarce, also including, he notices, peering into the jar, a .455 Webley cartridge of green and pink striped taffy, a six-ton earthquake bomb of some silver-flecked blue gelatin, and a licorice bazooka.`
     "Go on then," Darlene actually taking his hand with the candy in it and trying to shove it into his mouth.
     "Was just, you know, looking at it, the way Mrs. Quoad suggested."
     "And no fair squeezing it, Tyrone."
     Under its tamarind glaze, the Mills bomb turns out to be a luscious pepsin-flavored nougat, chock-full of tangy candied cubeb berries, and a chewy camphor-gum center. It is unspeakably awful. Slothrop's head begins to reel with camphor fume, his eyes are running, his tongue's a hopeless holocaust. Cubeb? He used to smoke that stuff. "Poisoned . . ." he is able to croak.
     "Show a little backbone, " advises Mrs. Quoad.
     "Yes, " Darlene through tongue-softened sheets of caramel, "dont you know there's a war going on? Here now love, open your mouth."
     Through the tears he can't see it too well, but he can hear Mrs. Quoad across the table going "Yum, yum, yum," and Darlene giggling. It is enormous and soft, like a marshmallow, but somehow - unless something is now seriously wrong with his brain - it tastes like gin. "Wha's is" he inquires thickly.
     "A gin marshmellow," sez Mrs. Quoad.
     "Awww . . . ."
     "Oh that's nothing, have one of these- " his teeth, in some perverse reflex, crunching now through a hard sour gooseberry shell into a wet spurting unpleasantness of, he hopes it's tapioca, a little glutinous chunks of something all saturated with powered cloves.
     "More tea?" Darlene suggests. Slothrop is coughing violently, having inhaled some of that clove filling.
     "Nasty cough," Mrs. Quoad offering a tin of that least believable of English coughdrops, the      Meggezone. "Darlene, the tea is lovely, I can feel my scurvy going away, really I can."
The Meggezone is like being belted in the head with a Swiss Alp. Menthol icicles immediately begin growing from the roof of Slothrop's mouth. It hurts his teeth too much to breathe, even through his nose, even, necktie loosened, with his nose down inside the neck of his olive drab T-shirt. Benzoin vapers seep into his brain. His head floats in a halo of ice.
     Even an hour later, the Meggezone still lingers, a mint ghost in the air. Slothrop lies with Darlene, the Disgusting English Candy Drill a thing of the past, his groin now against her warm bottom. The one candy he did not get to taste - one Mrs. Quaod withheld - was the Fire of Paradise, that famous confection of high price and protean taste - "salted plum" to one, "artificial cherry" to another . . ."sugared violets" . . "Worchestershire sauce" . . . "spiced treacle" . . any number of like descriptions, positive, terse - never exceeding two words in length - resembling the descriptions of poison and debilitating gases found in training manuals, "sweet and sour eggplant" being perhaps the lengthiest to date. The Fire of Paradise today is operationally extinct, and in 1945 can hardly be found: certainly nowhere among the sunlit shops and polished windows of Bond Street or waste Belgravia. But every now and then one will surface, in places which deal usually other merchandise than sweets: at rest, back inside big glass jars clouded by the days, along with objects like itself , sometimes only one candy to a whole jar, nearly hidden in the ambient tourmalines in German gold, carved ebony finger finger-stalls from the last century, pegs, valve-pieces, threaded hardware from obscure musical instruments, electronic components of resin and copper that the War, in its glutton, ever-nibbling intake, has not yet found and licked back into its darkness . . . . Places where the motors never come close enough to be loud, and there are trees outside along the street. Inner rooms and older faces developing under light falling through a skylight, yellower, later in the year
.


My favorite though, the one I would take to a Deserted Island if I could only take one, is Against the Day, which is scheduled for rereading late this year/early next year (of all Pynchon's characters I love Cyprian Latewood best):


The now-famous yearly Candlebrow Conferences, like the institution itself, were subsidized out of the vast fortune of Mr. Gideon Candlebrow of Grossdale, Illinois, who had made his bundle back during the great Lard Scandal of the '80s, in which, before Congress put an end to the practice, countless adulterated tons of that comestible were exported to Great Britain, compromising further an already debased national cuisine, giving rise throughout the island, for example, to a Christmas-pudding controversy over which to this day families remain divided, often violently so. In the consequent scramble to develop more legal sources of profit, one of Mr. Candlebrow's laboratory hands happened to invent "Smegmo," an artificial substitute for everything in the edible-fat category, including margarine, which many felt wasn't that real to begin with. An eminent Rabbi of world hog capital Cincinnati, Ohio, was moved to declare the product kosher, adding that "the Hebrew people have been waiting four thousand years for this. Smegmo is the Messiah of kitchen fats.


and


     Cyprian came with them as far as the river. Above them cloud had begun to enfold the convent and church, as if denying them second thoughts. The morning seemed to be darkening toward some Balkan equivalent of transformation.
     She handed Ljubica to Cyprian, and he held her ceremoniously, and kissed her loudly on the stomach as always, and as always she squealed. "Don't remember me," he advised her. "I'll see to the remembering." Back to Yash's arms, she beamed at him calmly, and he knew he had only minutes before regret would force him into a mistake of some kind. "Go safely. Try to stay out of Albania."
     As if seized by something ancient, Yashmeen cried, "Please - don't look back."
     "I wasn't planning to."
     "I'm serious. You mustn't. I beg you, Cyprian."
     "Or he'll take you below, you mean. Down to America."
     "Always makin with em jokes," Reef in a hollow chuckle.
     And none of them looked back, not even Ljubica.
     And Cyprian was taken behind a great echoless door.








  • Happy Birthday, Mr Pynchon.
  • No choice but freedom: Actual market outcomes are based upon near infinite artificiality. The money we trade for goods and services is made of mere tokens invented and defined in a system operated by banks in a very specific sort of collaboration with states. The markets that most grandly shape social outcomes do not directly touch goods and services at all. Financial markets determine what we collectively build and do, and who bears what risk, by virtue of trade in claims on wholly abstract entities that almost incidentally transact in human labor and operate on the physical world. Once one is seduced by the capacity of markets to exercise control without appearing to do so, one is left with the neoliberal temptation to play sorcerer’s apprentice by rejiggering contracts and definitions or taxes and endowments in hopes of retaining the clever system of free and voluntary coercion that markets provide but getting better outcomes from it.
  • Human nature for ideology.
  • Ultimi Barbarorum, Ultimi Porcorum.
  • Branding authors in Boston.
  • Something.
  • Yes, I know I missed Randall Jarrell's birthday a couple days ago, have a poem - his most famous, yes - below the Cardew.








THE DEATH OF THE BALL TURRET GUNNER

Randall Jarrell

From my mother's sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.



2013/10/11

Not Just Me Being Here Again, Old Needer, Looking for Someone to Need





While I was on K's macbook last night at Thursday Night Pints - we discussed Apple's recent upgrade to a new operating system and how it fucked up our iPads and iPhones and I mentioned that earlier in the day Windows Update informed me it wanted to fuck my laptop for an hour, go away, come back after, and how it all sucks sooooo much and then drank to what complicit privileged fucks we are - I read out loud eight of the most recent of dozens of spam comments I get every day, they amuse me, I said. Talk of course turned to Clusterkabukifuck, stories of friends and family fucked and fucked more exponentially daily, we live in DC, we know people fucked and more fucked each compounding-interest fucked day:


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  • L: Why do you buy your Viagra from the UK?


Rubes talking past each other, said K. Same news every day, said L. Fucking helmetball, I said, the people at the table next to us, three tailored-suited white guys of apparent influence, cursing all liberal pussies who think the name Redskins is racist and want the local helmetball team to change its name.






  • To be truthful, the preceding three sentences were spoken, the gag was promised but not actually acted out. 
  • Above Monk requests via Pere Lebrun, who used to blog.
  • Excellent chaw for the three day weekend. It reminds me that you can't spell revolution without revolution.
  • How Sam missed a flight because of Slavoj Žižek.
  • Linky Friday.
  • The story of the tramp.
  • Dan's review of Bleeding Edge - I've finished it, he nails it: Bleeding Edge is a book worth reading simply because it’s by Thomas Pynchon, although anyone contemplating it as an introduction to Pynchon’s work should instead go immediately to V or Gravity’s Rainbow or even The Crying of Lot 49, which, although now apparently somewhat disdained by Pynchon, has long served as a more accessibly condensed example of Pynchon’s literary strategies and worldview. Ultimately, however, Bleeding Edge is not so much “minor” Pynchon as it is a kind of synthetic replica of a Thomas Pynchon novel, all the more disappointing because it was written by Pynchon himself. 
  • Twelve free online Alice Munro stories. 
  • Munro links.
  • Munro links.
  • I don't like reading short stories for reasons for multiple reasons I'll spare you in this post from hearing. Short stories are the boarding schools of novelists, mostly, but Alice Munro made it clear it was the tenement in which she lived and I've no complaint at all about her Nobel Prize, her books on shelves about my house.
  • Sun Ra.
  • I missed Lennon's birthday on the 9th. More noteworthy than sad. Strangest days of my life.






ACCIDENTS OF BIRTH

William Meredith

Je vois les effroyables espaces de l’Univers qui m’enferment, et je me trouve attaché à un coin de cette vaste étendue, sans savoir pourquoi je suis plutôt en ce lieu qu’en un autre, ni pourquoi ce peu de temps qui m’est donné à vivre m’est assigné à ce point plutôt qu'à un autre de toute l’éternité qui m’a précédé, et de toute qui me suit.

—Pascal,
Pensées sur la religion


The approach of a man’s life out of the past is history, and the approach of time out of the future is mystery. Their meeting is the present, and it is consciousness, the only time life is alive. The endless wonder of this meeting is what causes the mind, in its inward liberty of a frozen morning, to turn back and question and remember. The world is full of places. Why is it that I am here?

—Wendell Berry,
The Long-Legged House


Spared by a car or airplane crash or
cured of malignancy, people look
around with new eyes at a newly
praiseworthy world, blinking eyes like these.

For I’ve been brought back again from the
fine silt, the mud where our atoms lie
down for long naps. And I’ve also been
pardoned miraculously for years
by the lava of chance which runs down
the world’s gullies, silting us back.
Here I am, brought back, set up, not yet
happened away.

                     But it’s not this random
life only, throwing its sensual
astonishments upside down on
the bloody membranes behind my eyeballs,
not just me being here again, old
needer, looking for someone to need,
but you, up from the clay yourself,
as luck would have it, and inching
over the same little segment of earth-
ball, in the same little eon, to
meet in a room, alive in our skins,
and the whole galaxy gaping there
and the centuries whining like gnats—
you, to teach me to see it, to see
it with you, and to offer somebody
uncomprehending, impudent thanks.


2013/10/09

Protected by the Dog. Protected by Foghorns, Frog Honks, Cricket Circles on the Brown Hills





So, Sebald's Austerlitz. I'm reading fiction better than recent past though I still don't trust that I'm reading competently enough by what I remember of my reading skills to definitively rule up or down on a novel like I did for over three decades. I acknowledge the self-service when I say that's not entirely a bad side-effect and self-service when I claim my reading slump is yet another side-effect of my damn-adjustments across the dashboard of most of my religions. I find it difficult to turn down volume one place while maintaining volume in others when I always thought of all as a single whole. I want to care less about what I can't control but which was still inextricably part of the whole that comprises my damn. Music and poetry have intensified, I am listening and hearing music and poetry better than anytime in my life, I've known since eighteen it would be music and poetry, at last novels are coming back to me too. I don't trust me yet, but it's nice again to hear novels.







  • Yes, predicatably, reading Sebald made me think of Kubisch.
  • Oh, the novel. I don't do book reviews here. Have you noticed how as you've gotten older many new people you meet for the first time remind you strikingly, uncannily - maybe physically, maybe the inflections of the speaking voice, a tilt of the head? - of someone you know or knew? Anyway, Ishiguro, this was the most Ishiguro-ish novel I've read, for MANY! reasons. Here are two:
  • The repetition of the variations of the phrase, So Vera described them to me, said Austerlitz, during Austerlitz's telling of Vera's telling of Austerlitz's childhood he has but vague memories, has the same - to me - hypnotic quietude as Ryder's I should hasten to says and as matter of facts in all his novels but especially The Unconsoled.
  • Have you ever looked at the word many until it doesn't make sense any more? That sensation is a major part - I attest, self-servingly - of both Sebald and Ishiguro's projects.
  • Now look at project. Try different pronunciations, switching from noun to verb.
  • Austerlitz tells of a visit to the spa at Marienbad. When he arrives there is an old, bent porter who, with old man pain and old man dignity, carries Austerlitz's bags to his room. I say that porter is the porter of Ishiguro's The Unconsoled (published 1995, Austerlitz 2001), but then it's self-serving to think so.
  • So yes, it reminded me of Ishiguro in general and The Unconsoled in particular, but then everything does, which is why I can't trust my novel reading.
  • OH! a third thing: both Ishiguro (in all his novels) and Sebald in this one novel of his I've read, share a love of making the uncanny seem utterly normal, the impossibly serendipitous mundane. Love love love.
  • Is also reminded me of Stanley Elkin because of constant mania for list-making, long sentences if documenting object after object and then the inevitable physical collapse of the list-maker into weariness and - sometimes - both mental and physical debilitation.
  • I bet a pint Sebald read Ishiguro. It's just silly to think he read Elkin, but everything reminds me of something.








  • So yes, a clusterfuckless link day.
  • Adding, as I said in a post a while ago, bark bark bark bark bark bark bark bark barking here doesn't help with the novel reading. So I dream of barking less or if not less less often. This is tied to of course the divorce I'm attempting from certain of my religions. Since I've promised I won't >>deleted bleggalgaze<< anymore, details will follow either outloud or in silence. 
  • If I like you and you ask nicely I will visit used bookstores and when I find a copy buy and send you a copy of The Unconsoled. Those of you who got one last time are ineligible for this drawing.
  • So yes, I enjoyed Austerlitz, will read a bunch of other authors before reading another Sebald, but I will read another Sebald.
  • Nobel Prize betting odds one day before announcement.
  • Another review of Bleeding Edge. I will try to finish it before I either finish Coover's Brunist or start someone new. Friends have been urging me to read Thomas Bernhard, I put out a request on twooter yesterday, had The Loser and The Old Masters and Gargoyles recommended to me by Kind people, good thing I have access to a university library's stacks. But I need to finish the Pynchon, especially now that while I don't trust myself I trust novels more than I did a week ago.
  • University library books: I retrieved a copy of Sebald's Emigrants, completely underlined and highlighted, fuck that. I retrieved a copy of Handke's Repetition, completely underlined and highlighted, fuck that.
  • Mr Alarum's has a new story up!
  • On Mary Ruefle and songbirds.
  • Steve Reich looks at a cake.
  • Hejinian interview!







A NAME TRIMMED WITH COLORED RIBBONS

Lyn Hejinian

A name trimmed               They    are   seated   in    the   shadows
with colored                     husking   corn, shelling   peas. Houses
ribbons                              of wood set in the   ground.   I try to
                                            find the spot at which the pattern on               
                                            the   floor   repeats.   Pink,   and rosy,
                                            quartz. They   wade   in brackish water.
                                            The    leaves    outside    the window
tricked the eye, demanding that one see them, focus on them,
making it impossible to   look   past   them, and though holes
were opened through the foliage, they were as useless as port-  
holes underwater looking into a dark sea, which only reflects
the room one seeks to look out from. Sometimes into
benevolent and other times into ghastly shapes. It speaks of a
few of the rather terrible blind. I grew stubborn until blue as
the eyes overlooking the bay from the bridge scattered over
its bowls through a fading light and backed by the protest of
the bright breathless West. Each bit of jello had been molded
in tiny doll dishes, each trembling orange bit a different
shape, but all otherwise the same. I am urged out rummaging
into the sunshine, and the depths increase of blue above. A
paper hat afloat on a cone of water. The orange and gray
bugs were linked from their mating but faced in opposite
directions, and their scrambling amounted to nothing. This
simply means that the imagination is more restless than the
body. But, already, words. Can there be laughter without
comparisons. The tongue lisps in its hilarious panic. If, for ex-
ample, you say, “I always prefer being by myself,”   and, then,
one afternoon, you want to telephone a friend, maybe you
feel you have betrayed your ideals. We have poured into the
sink the stale water in which the iris died. Life is hopelessly
frayed, all loose ends. A pansy suddenly, a web, a trail
remarkably’s a snail’s. It was an enormous egg, sitting in the
vineyard—an enormous rock-shaped egg. On that still day
my grandmother raked up the leaves beside a particular
pelargonium. With a name like that there is a lot you can do.
Children are not always inclined to choose such paths. You
can tell by the eucalyptus tree, its shaggy branches scatter
buttons. In the afternoons, when the shades were pulled for
my nap, the light coming through was of a dark yellow, near-
ly orange, melancholy, as heavy as honey, and it made me
thirsty. That doesn’t say it all, nor even a greater part. Yet it
seems even more incomplete when we were there in person.
Half the day in half the room. The wool makes one itch and
the scratching makes one warm. But herself that she obeyed
she dressed. It talks. The baby is scrubbed everywhere, he is
an apple. They are true kitchen stalwarts. The smell of
breathing fish and breathing shells seems sad, a mystery, rap-
turous, then dead. A self-centered being, in this different
world. A urinating doll, half-buried in sand. She is lying on
her stomach with one eye closed, driving a toy truck along
the road she has cleared with her fingers. I mean untroubled
by the distortions. That was the fashion when she was a
young woman and famed for her beauty, surrounded by
beaux. Once it was circular and that shape can still be seen
from the air. Protected by the dog. Protected by foghorns,
frog honks, cricket circles on the brown hills. It was a
message of happiness by which we were called into the room,
as if to receive a birthday present given early, because it was
too large to hide, or alive, a pony perhaps, his mane trimmed
with colored ribbons.  



2013/10/05

In the Meantime, in the Regular Weather of Ordinary Days, It Sometimes Happens that a Man Has Changed So Slowly that He Slips Away Before Anyone Notices and Lives and Dies Before Anyone Can Find Out




  • Jim's mention of WFMU DJ Frank O'Toole in comments put O'Toole's signature show-ender in my head all day yesterday and into this morning, I just finished a section of Sebald's Austerlitz in which Austerlitz, talking about his upbringing as an adopted child in Wales, riffs on the physical sensation of nostalgia, and I get a physical charge of nostalgia every time I hear that Nelson Riddle song. It's the song, not the show. I don't remember watching Route 66, ever, my father and mother must have watched it when I was too young to know what was going on on-screen, but the music? Boom.
  • On Miriam Carey's temper.
  • Fred Hiatt senses chance to destroy Social Security, urges Obama to cave.
  • Which has been the plan all along. 
  • Avedon Carol's obamapostasy.
  • Pain is not a dolphin: on misunderstanding analogies.
  • Dear Moron Tool at the Gazette: 270 goes nowhere near Potomac. It's called Rockville.
  • Nighthawks: on dreams.
  • An incoherent list of books!
  • Krasznahorkai, for those of you who do. I picked up Seiobi Down Below this past Tuesday at Politics and Prose, it's after the Sebald (it's working; more later, or not) and the Coover (and maybe the Pynchon, what the fuck; more later, or not).
  • September Song part one.
  • September Song part two.
  • Woke up with Zoviet France in my head:






A MAN MAY CHANGE

Marvin Bell

As simply as a self-effacing bar of soap
escaping by indiscernible degrees in the wash water   
is how a man may change
and still hour by hour continue in his job.   
There in the mirror he appears to be on fire   
but here at the office he is dust.
So long as there remains a little moisture in the stains,
he stands easily on the pavement
and moves fluidly through the corridors. If only one   
cloud can be seen, it is enough to know of others,
and life stands on the brink. It rains
or it doesn’t, or it rains and it rains again.
But let it go on raining for forty days and nights   
or let the sun bake the ground for as long,   
and it isn’t life, just life, anymore, it’s living.
In the meantime, in the regular weather of ordinary days,
it sometimes happens that a man has changed   
so slowly that he slips away
before anyone notices
and lives and dies before anyone can find out.



2013/10/02

There Will Never Be an End to the Droning of This Surf, or: Born 134 Years Ago Today





NOT IDEAS ABOUT THE THINGS BUT THE THING ITSELF

Wallace Stevens

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird's cry at daylight or before,
In the early March wind.

The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.

It was not from the vast ventriloquism
Of sleep's faded papier mache...
The sun was coming from outside.

That scrawny cry - it was
A chorister whose c proceeded the choir.
It was part of the colossal sun,

Surrounded by it's choral rings,
Still far away. It was like
A new knowledge of reality.






  • If I did play my Sillyass Deserted Island Five Game with poets Stevens would not be one of the them though he'd have a bust on the wall of the hall in which the game is played.
  • On last month's 90th anniversary of the publication of Harmonium.
  • What to expect now that the US Government is gone.
  • I mentioned this in comments yesterday: I live in Metroland, work in DC, I've friends and family directly affected by the government showdown, I acknowledge what a pain-in-the-ass this is and acknowledge that a prolonged shutdown moves from a pain-in-the-ass to a potentially perilous situation. We've been housing a recent college graduate, a daughter of a friend of a dear friend of my late mother-in-law who scored a job at State (I thought it was the Fed but Earthgirl has corrected me) and stayed with us while she searched for a place to live. She put down a deposit and signed a year lease with fairly steep rent and moved in last night, the first day of her furlough on her new job. Fuck Team Republican, Fuck Team Democrat, Fuck the National Triskelion League and all, I acknowledge there are real repercussions to real people in this motherfucking playoff kabuki.
  • Snap.
  • How we kill.
  • Grey.
  • United won. They've given me until Friday to pony up in full for next season. Every season before this one all we were asked to do is make a $100 deposit on renewal, full payment in January. Verily, Fuck United.
  • UPDATE! United responded to my email asking why this year they need payment in full by early October rather than just a deposit. My ticket agent said that a deposit will be fine, payment in January OK, so verily, Fuck United a little less vigorously.
  • Oy, the new Pynchon. Talked with a friend yesterday, someone who actually works in the tech services area Pynchon details in the novel so he gets the inside jokes, he said, oy. Years ago - at least a decade now, more probably - I held myself to a moral standard that once I start a novel I was obliged to finish it. Fuck that, but I do feel morally obliged to finish the new Pynchon, but oy, I don't feel obligated to finish it before reading something else.
  • Redwood threnody.
  • To which end, I have never read Sebald. We were in Politics and Prose last night, picked up a beautifully packaged Austerlitz, giving it a go.
  • DeLillo, for those of you who do. Or, like me, did once, been a while.
  • I was alerted to the wonderful news that there is a new The Necks album in my future.






THE CONNOISSEUR OF CHAOS

Wallace Stevens

I. 

A. A violent order is disorder; and
B. A great disorder is an order. These
Two things are one. (Pages of illustrations.)

                          
II. 

If all the green of spring was blue, and it is;
If the flowers of South Africa were bright
On the tables of Connecticut, and they are;
If Englishmen lived without tea in Ceylon, and they do;
And if it all went on in an orderly way,
And it does; a law of inherent opposites,
Of essential unity, is as pleasant as port,
As pleasant as the brush-strokes of a bough,
An upper, particular bough in, say, Marchand. 


III. 

After all the pretty contrast of life and death
Proves that these opposite things partake of one,
At least that was the theory, when bishops' books
Resolved the world. We cannot go back to that.
The squirming facts exceed the squamous mind,
If one may say so. And yet relation appears,
A small relation expanding like the shade
Of a cloud on sand, a shape on the side of a hill. 


IV. 

A. Well, an old order is a violent one.
This proves nothing. Just one more truth, one more
Element in the immense disorder of truths.
B. It is April as I write. The wind
Is blowing after days of constant rain.
All this, of course, will come to summer soon.
But suppose the disorder of truths should ever come
To an order, most Plantagenet, most fixed…
A great disorder is an order. Now, A
And B are not like statuary, posed
For a vista in the Louvre. They are things chalked
On the sidewalk so that the pensive man may see. 


V. 

The pensive man…He sees that eagle float
For which the intricate Alps are a single nest.








FABLIAU OF FLORIDA

Wallace Stevens

Barque of phoshor
On the palmy beach,

Move outward into heaven,
Into the alabasters
And night blues.

Foam and cloud are one.
Sultry moon-monsters
Are dissolving.

Fill your black hull
With white moonlight.

There will never be an end
To the droning of this surf.



2013/09/29

But for Real Accomplishment, It Would Be Well If You Would Go to Live Solitary in a Forest Silence



  • Activating the Napoleon Alert System. Haven't seen him since last Sunday, and this absence feels different than others. Earthgirl said so first while I was just thinking it. The neighborhood listserv is alive with two possible pertinent issues. First, there are roving gangs of raccoons the size of pitbulls that roam through the neighbor at dusk terrorizing humans and animals alike. Second, some kids, who have not been put to death despite my urging, were caught torturing cats in Rock Creek Park. I've urged their parents to move them to a witness-protection like disappearance.
  • Bleggalgazing.
  • 45 of the 136 blogs in Because the First haven't updated in more than a month.
  • 61 of the 140 blogs in Because the Second haven't updated in more than a month.
  • The History of Fear, part one and part two.
  • Syria PSYOPs.
  • Ivory towers and reflective powers.
  • Fishing for informants.
  • Maggie's weekly links.
  • New Inquiry's Sunday reads.
  • Again with the Xenakis:





  • Happy Birthday Ilse!
  • Strangeness and poetry.
  • Calibrations.
  • He will never understand.
  • Pynchon's Mrs Dalloway.
  • I'm 2/3rd done with Bleeding Edge. I won't say it sucks. I will say if it wasn't Pynchon I would have set it aside a hundred pages ago. I long ago gave up the moral standard that once I start a novel I am obliged to finish it. Pynchon has earned the right to be finished, but it is hard to believe this is the same author that wrote Against the Day.
  • I was flipping channels Friday waiting to go out to dinner, saw an hour of Breaking Bad, an episode from season three, first time I ever saw one. Admittedly, I didn't know the background, the characters, the build-up, but holyfuck, suck. So glad people will be shutting the fuck up about it after tonight.
  • Horrifying headline.






CALLIGRAPHY ACCOMPANIED BY THE MOOD OF A CALM BUT DEFINITIVE MOOD

Dick Allen

Make your strokes thus: the horizontal:
as a cloud that slowly drifts across the horizon;
the vertical: as an ancient but strong vine stem;
the dot: a falling rock;
and learn to master the sheep leg, the tiger’s claw,
an apricot kernel, a dewdrop, the new moon,

the wave rising and falling. Do these
while holding your arm out above the paper
like the outstretched leg of a crane.
The strength of your hand
will give the stroke its bone.
But for real accomplishment, it would be well
if you would go to live solitary in a forest silence,
or beside a river flowing serenely.
It might also be useful
to look down a lonesome road,
and for the future
to stare into the gray static of a television screen,
or when lost in a video game
to accept you may never reach the final level,
where the dragon awaits, guarding the pot of gold,
and that you’ve left no footprints, not a single one,
despite all your adventures,
anyone following you could ever follow.



2013/09/27

Glimmering Brim Against Light Lifting There





As soon as I remembered Mark Rothko's birthday I knew I'd spend the next two days listening to Morton Feldman. I mentioned in the Shostakovich birthday post that I don't do my Sillyass Deserted Island Five game with non-rock composers but if I did Shostakovich would have one of the permanent spots. So would Morton Feldman.












LINE OF DESCENT

Forrest  Gander

Against the backdark, bright
                              riband flickers of heat lightning.    Nearer
                hills begin to show, to come clear
                                                             as a hard, detached
                                                                                            and glimmering brim
                                             against light lifting there.    And here, pitched over
the braided arroyo choked with debris,
                                                             a tent, its wan, cakey,
                                road-rur color.    On the front stake, two
                green dragonflies, riding each other, pause,
                                             Look! cries the boy, running, the father behind him
                                 running too—
                                                               and the canyon opening
                out in front of them its magisterial consequence, cramming
                               vertiginous air down its throat—
                                                                                           to snatch him
                                                                    from the scarp.



2013/09/24

Speaker Holds Up the Talks Held Last










THE COUNTRY AUTUMNS

Clark Coolidge

But it could not be brought to see what it
could be brought. And the leaves are
away again, teamed. A parent at the
last and a parent in the middle. And
as stones I thought it right.

Two plates, and on the other side all the
forest pieces. The clock says stay.
The books lower the earth, and in gardens
flat stones spin. The volume was of waiting.
Today is today, until the preposition taken up.
Next to the tree sways.

The sky in pieces the leaves part the
leaves piece together. To and from a hand
given all directions. The bark comes from
below. Takes from the books of the moves under
the sky. Speaker holds up the talks held last.
Motors the dust and the yellow syllables.
A slant on which was never here or
only partly.



2013/08/02

How Beautifully I Fake!



  • Last night I sat in a house I won't identify at a dinner party with people I won't identify and I participated in conversations whose details I won't reveal here (though I''d like to).
  • Today I'm at work at an institution I don't directly name (though I'd like to). It's in flux, both within the micro but especially the macro, some of it fascinating, the dire speculations about the future, which I won't discuss here (though I'd like to).
  • There's the unfortunate death of a popular blogger I won't name (though I'd like to) who did me an unKind that I won't describe (though I'd like to) (it was years ago, though I remember the incident like a fresh wound, he no doubt promptly forgot if he noticed at all), plus subsequent indulgent bleggalgazing I won't post here (though I'd like to), bleggalgazing just slightly more popular than an unread post full of quotes from the novels and letters of an 18th C American novelist.
  • I've a photo of a dad and his kid I'd love to post here, but I won't, though I don't feel cowardly about this one since the dad asked me not to post it.
  • All won'ts in the prior four bullets were first can'ts. I can. I won't.
  • I will say on twitter yesterday I was reminded - I am such a dope - that tics and allusions I assume others get others don't. Thanks. I need constant reminders to Fuck It. 
  • Yes, I understand the tics and allusions are in service to my won'ts, are proxy Fuck Its.
  • So, have yap about my reading slump. Another review of Gass' Middle C. I started it twice, quit early, recognizing my mind is still too blocked to engage it. I am 3/4s through an unsatisfying reread of Mason & Dixon, I have the new McElroy and see the above comment about Middle C, but I'm surprised I find myself thinking about about Vollmann's Ice Shirts, I'm attempting a reread of all the previously released volumes of his Seven Dreams in anticipation of the Fall release of the next. Fathers & Crows is my favorite. It concerns the first interactions of the group that founded the institution I won't name with Native Americans and the mutual carnage that ensued. I have an extra copy, you have three days to claim it before I send it to one of the two of you who claim most of these.











I AM AN ATHEIST WHO SAYS HIS PRAYERS

Karl Shapiro

I am an atheist who says his prayers.

I am an anarchist, and a full professor at that. I take the loyalty oath.

I am a deviate. I fondle and contribute, backscuttle and brown, father of three.

I stand high in the community. My name is in Who’s Who. People argue about my modesty.

I drink my share and yours and never have enough. I free-load officially and unofficially.

A physical coward, I take on all intellectuals, established poets, popes, rabbis, chiefs of staff.

I am a mystic. I will take an oath that I have seen the Virgin. Under the dry pandanus, to the scratching of kangaroo rats, I achieve psychic onanism. My tree of nerves electrocutes itself.

I uphold the image of America and force my luck. I write my own ticket to oblivion.

I am of the race wrecked by success. The audience brings me news of my death. I write out of boredom, despise solemnity. The wrong reason is good enough for me.

I am of the race of the prematurely desperate. In poverty of comfort I lay gunpowder plots. I lapse my insurance.

I am the Babbitt metal of the future. I never read more than half of a book. But that half I read forever.

I love the palimpsest, statues without heads, fertility dolls of the continent of Mu. I dream prehistory, the invention of dye. The palms of the dancers’ hands are vermillion. Their heads oscillate like the cobra. High-caste woman smelling of earth and silk, you can dry my feet with your hair.

I take my place beside the Philistine and unfold my napkin. This afternoon I defend the Marines. I goggle at long cars.

Without compassion I attack the insane. Give them the horsewhip!

The homosexual lectures me brilliantly in the beer booth. I can feel my muscles soften. He smiles at my terror.

Pitchpots flicker in the lemon groves. I gaze down on the plains of Hollywood. My fine tan and my arrogance, my gray hair and my sneakers, O Israel!

Wherever I am I become. The power of entry is with me. In the doctor’s office a patient, calm and humiliated. In the foreign movies a native, shabby enough. In the art gallery a person of authority (there’s a secret way of approaching a picture. Others move off). The high official insults me to my face. I say nothing and accept the job. He offers me whiskey.

How beautifully I fake! I convince myself with men’s room jokes and epigrams. I paint myself into a corner and escape on pulleys of the unknown. Whatever I think at the moment is true. Turn me around in my tracks; I will take your side.

For the rest, I improvise and am not spiteful and water the plants on the cocktail table.


2013/07/14

Unless You Walk into It Freely, and with Open Despairing Eyes, You Can&#39;t Even See the Windows




  • Napoleon Alert System Activated. It's been since early Monday morning since any of us has seen him. 
  • UPDATE! Works every time. Deactivating Napoleon Alert System
  • Wilfully Obscure reminded me yesterday of The Nobodys.
  • The music if fine, but since I hadn't thought of them in at least two decades it reminded me that I was young once, though you may not believe it.
  • Remember when mocking Michelle Malkin was Left Blegsylvania's most satisfying gag? Someone named Melissa Harris Perry scolded Edward Snowden for being - get this - an attention slut. Regardless of what confidential information Snowden reveals, the real value of the Snowden Affair - sorry, I keep repeating myself - is in the reaction not only of Power but in Power's liberal propagandists' behavior. Melissa Harris Perry - whoever the fuck she is, I'm told she's a load - is pissed Snowden's attention sluttery is eclipsing her attention sluttery, and Melissa Harris Perry is right.
  • I say this with full admittance - my constant admittance - of my attention sluttery.
  • Q&A w/Greenwald. I must confess, the visceral hatred of Greenwald by the professional Left propagandists fascinates me on sooooooooo many levels.
  • Lesson learned: don't weaponize your sidewalk. But yes, I've not mentioned the Zimmerman trial much because what can be said about a country where a murdered black kid is put on trial for his own murder?
  • Twenty-four hour moratorium on further comment self-imposed.
  • This will be an exceptionally slow day here in smaller Stringtowns as most everyone goes to Stringtown's bleggal overlords to keep up with the story.
  • How to get away with murder.
  • You are the enemy.
  • Weapons of mass distraction.
  • The conspiracy matrix.
  • Neither a rightist or leftist be.
  • Angst of pianists.
  • Today in motherfucking blooger, anyone here I trust know the back-end of blooger as in dealing w/google or know anyone they trust. Dear blooger:










[LETTER TO GARY BUTTONE]

Jack Spicer

Dear Gary,

   Somehow your letter was no surprise (and I think you knew that it was no surprise or you would have tried to break the news more gently); somehow I think we understand what the other is going to say long before we say it—a proof of love and, I think, a protection against misunderstanding. So I've been expecting this letter for five weeks now—and I still don't know how to answer it.

   Bohemia is a dreadful, wonderful place. It is full of hideous people and beautiful poetry. It is a hell full of windows into heaven. It would be wrong of me to drag a person I love into such a place against his will. Unless you walk into it freely, and with open despairing eyes, you can't even see the windows. And yet I can't leave Bohemia myself to come to you—Bohemia is inside of me, in a sense is me, was the price I paid, the oath I signed to write poetry.

   I think that someday you'll enter Bohemia—not for me (I'm not worth the price, no human being is), but for poetry—to see the windows and maybe blast a few yourself through the rocks of hell. I'll be there waiting for you, my arms open to receive you.

   But let's have these letters go on, whether it be days, years, or never before I see you. We can still love each other although we cannot see each other. We will be no farther apart when I'm in Berkeley than we were when I was in Minneapolis. And we can continue to love each other, by letter, from alien worlds.


   Love,
   Jack



2013/06/12

The Scrimmage of Appetite Everywhere









  • For the record, I've no idea what Edward Snowden's motives were, so without knowing his motives I can't unreservedly call him a hero though I can say I'm pleased he did it, not because it will slow the advance of the surveillance state (I keep yodeling, whoever, whatever, whyever this now, this is a MAJOR PLUS for the surveillance state for all the short-term pain-in-the-ass Snowden may or not cause panopticon operators), but because it reveals the motherfucking loads I was stupid enough once to think smart and .06% less-motherfuckeringly loadish, because it flash-gauges everyone's current state of loadishness.
  • Let me hasten to add: this is always about my complicit loadishness, my fascination with these solipsistic watersheds, he types into his blogger edit page and pushes Publish.
  • For instance, me and Planet and Ari and Hamster and Laudru and Ilse and DataBoy and Whispers (?) are going to Germanboyds tonight to watch a US Open Cup game between my sucky soccer team and Chester. Despite my dire concerns over the surveillance state, I will use a debit card to purchase gas that can be tracked, will drive on MOCO roads that are fully videoed at stop lights, and during the game a Park Police cruiser will record all the license plate numbers of cars parked at SoccerPlex. It'll be a blast, and there will be Stanchion Porn on Thursday.
  • Gaddis, for those of you who do.
  • Cover of Pynchon's Bleeding Edge, out in three months.
  • Life story.
  • Prunella's latest playlist.
  • Today's David Thomas song, one song at least a day through June, Thomas' birthday the day after tomorrow people, REQUESTS PLEASE, or not. This one you'll hear at least twice this month, probably more:






THE HEAVY BEAR THAT GOES WITH ME

Delmore Schwarz

The heavy bear who goes with me,   
A manifold honey to smear his face,   
Clumsy and lumbering here and there,   
The central ton of every place,   
The hungry beating brutish one   
In love with candy, anger, and sleep,   
Crazy factotum, dishevelling all,   
Climbs the building, kicks the football,   
Boxes his brother in the hate-ridden city.

Breathing at my side, that heavy animal,   
That heavy bear who sleeps with me,   
Howls in his sleep for a world of sugar,   
A sweetness intimate as the water’s clasp,   
Howls in his sleep because the tight-rope   
Trembles and shows the darkness beneath.   
—The strutting show-off is terrified,   
Dressed in his dress-suit, bulging his pants,   
Trembles to think that his quivering meat   
Must finally wince to nothing at all.

That inescapable animal walks with me,
Has followed me since the black womb held,   
Moves where I move, distorting my gesture,   
A caricature, a swollen shadow,
A stupid clown of the spirit’s motive,   
Perplexes and affronts with his own darkness,   
The secret life of belly and bone,
Opaque, too near, my private, yet unknown,   
Stretches to embrace the very dear
With whom I would walk without him near,   
Touches her grossly, although a word
Would bare my heart and make me clear,   
Stumbles, flounders, and strives to be fed   
Dragging me with him in his mouthing care,   
Amid the hundred million of his kind,   

The scrimmage of appetite everywhere.