Showing posts with label Feldman. Show all posts
Showing posts with label Feldman. Show all posts

2014/07/19

Which Only Quiet Walking Ever Instructs





Six-miler around Catoctin yesterday with Earthgirl. From Chimney Rocks, the rock outcrop and view about two-thirds through, you can see Sugarloaf twenty-five miles to the southeast. Today is Corbin Cabin in Shenandoah with Planet and Air too. Also, Happy Birthday to my father (who reads this blog daily to monitor news of his grand-daughter and daughter-in-law) who got us the hell out of Ghost Town, Pennsylvania in 1964 for which I don't thank him enough. He's BBQing salmon tonight for us.

Saturday intermittent tradition is to post songs heard on Bryce's Friday show. Bryce was off today, fill-in host was Ira the K. Below the poem is Ira the K's band's latest single, first, the Morton Feldman piece Ira the K played yesterday:








RIVERS AND MOUNTAINS

John Ashbery

On the secret map the assassins   
Cloistered, the Moon River was marked   
Near the eighteen peaks and the city
Of humiliation and defeat—wan ending   
Of the trail among dry, papery leaves   
Gray-brown quills like thoughts
In the melodious but vast mass of today’s   
Writing through fields and swamps
Marked, on the map, with little bunches of weeds.   
Certainly squirrels lived in the woods   
But devastation and dull sleep still   
Hung over the land, quelled
The rioters turned out of sleep in the peace of prisons   
Singing on marble factory walls   
Deaf consolation of minor tunes that pack   
The air with heavy invisible rods   
Pent in some sand valley from
Which only quiet walking ever instructs.   
The bird flew over and
Sat—there was nothing else to do.
Do not mistake its silence for pride or strength
Or the waterfall for a harbor
Full of light boats that is there
Performing for thousands of people   
In clothes some with places to go   
Or games. Sometimes over the pillar   
Of square stones its impact
Makes a light print.
So going around cities
To get to other places you found   
It all on paper but the land
Was made of paper processed   
To look like ferns, mud or other   
Whose sea unrolled its magic   
Distances and then rolled them up   
Its secret was only a pocket
After all but some corners are darker
Than these moonless nights spent as on a raft
In the seclusion of a melody heard   
As though through trees
And you can never ignite their touch   
Long but there were homes
Flung far out near the asperities   
Of a sharp, rocky pinnacle
And other collective places
Shadows of vineyards whose wine   
Tasted of the forest floor
Fisheries and oyster beds
Tides under the pole
Seminaries of instruction, public   
Places for electric light
And the major tax assessment area   
Wrinkled on the plan
Of election to public office
Sixty-two years old bath and breakfast   
The formal traffic, shadows
To make it not worth joining
After the ox had pulled away the cart.

Your plan was to separate the enemy into two groups   
With the razor-edged mountains between.
It worked well on paper
But their camp had grown
To be the mountains and the map   
Carefully peeled away and not torn   
Was the light, a tender but tough bark
On everything. Fortunately the war was solved   
In another way by isolating the two sections   
Of the enemy’s navy so that the mainland   
Warded away the big floating ships.   
Light bounced off the ends   
Of the small gray waves to tell   
Them in the observatory   
About the great drama that was being won
To turn off the machinery
And quietly move among the rustic landscape   
Scooping snow off the mountains rinsing
The coarser ones that love had   
Slowly risen in the night to overflow   
Wetting pillow and petal   
Determined to place the letter
On the unassassinated president’s desk
So that a stamp could reproduce all this
In detail, down to the last autumn leaf
And the affliction of June ride
Slowly out into the sun-blackened landscape.



2014/06/21

Nothingness Unseamed Itself for Me Too



Bernie Kopell is 81 today. I loved Get Smart, especially in black and white. I yodel always, TV toggled to color when I was a kid, a toggle that chimes me. Here is Siegfried's traditional Egoslavian High Holy Day decree, copied & pasted from last year's.

Siegfried has been this shitty blog's and my digital avatar since Blog Day One. Bernie Koppel, Siegfried on Get Smart (and Ann Marie's neighbor Jerry Bauman in That Girl and, unfortunately if more famously, Doc on Love Boat), was born 80 years ago today, his birthday noted every year here.

This is true: I have my iPod set to shuffle the 2000+ songs, driving home Thursday night (this is serendipitous but not as serendipitous as if it happened last night) the Second Egoslavian Bleggalgazing Anthem (lyrics) came on and I realized what a colossal fuck-up by me for not posting it on The Annual Egoslavian Bleggalgazegasm three weeks ago, so shazam! how's this for futile weekend blegging and brazen blogwhoring and attention sluttery in Dead Blegsylvania?






  • My brother-in-law is getting married today. We have to go to the service this morning, then a dinner tonight, and then a brunch tomorrow morning. This is proof I love my wife. Further proof: I will not write about it beyond this.
  • Links below from friends, blog friends, blog comrades, mostly. Sorry friends, if patterns hold this will be the deadest weekend yet this Summer in Blegsylvania.
  • The Left/Right Spectrum is bogus.
  • BroadSnark's things you might have missed.
  • But you must write. A bleggalgaze of sort.
  • Binging on Anne Carson.
  • Dang! 15th again.
  • Becoming language here and now.
  • The pattern of tides.
  • A lifetime of watching England lose.
  • Here's the Feldman yesterday's mention of Rothko made inevitable here, with bonus Feldman below a new to me Szymborska poem.
  • Since My Sillyass Deserted Island Game seems only to include bands and acts the could be sloppily classified as rock Morton Feldman isn't included in the game, though Morton Feldman is going to the island with me. Click the tag in footer for LOTS more.








A POEM

Wislawa Szymborksa
Translated by Clare Cavanaugh

Nothingness unseamed itself for me too.
It turned itself wrong side out.
How on earth did I end up here—
head to toe among the planets,
without a clue how I used not to be.

O you, encountered here and loved here,
I can only guess, my arm on yours,
how much vacancy on that side went to make us,
how much silence there for one lone cricket here,
how much nonmeadow for a single sprig of sorrel,
and sun after darknesses in a drop of dew
as repayment—for what boundless droughts?

Starry willy-nilly! Local in reverse!
Stretched out in curvatures, weights, roughnesses, and motions!
Time out from infinity for endless sky!
Relief from nonspace in a shivering birch tree’s shape!

Now or never wind will stir a cloud,
since wind is exactly what won’t blow there.
And a beetle hits the trail in a witness’s dark suit,
testifying to the long wait for a short life.

And it so happened that I’m here with you.
And I really see nothing
usual in that.



2014/03/27

I Am the Least Difficult of Men, All I Want Is Boundless Love, or: Born Eighty-Eight Years Ago Today





MEDITATIONS IN AN EMERGENCY

Frank O'Hara

Am I to become profligate as if I were a blonde? Or religious as if I were French?

          Each time my heart is broken it makes me feel more adventurous (and how the same names keep recurring on that interminable list!), but one of these days there’ll be nothing left with which to venture forth.

          Why should I share you? Why don’t you get rid of someone else for a change?

          I am the least difficult of men. All I want is boundless love.

          Even trees understand me! Good heavens, I lie under them, too, don’t I? I’m just like a pile of leaves.

          However, I have never clogged myself with the praises of pastoral life, nor with nostalgia for an innocent past of perverted acts in pastures. No. One need never leave the confines of New York to get all the greenery one wishes—I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally regret life. It is more important to affirm the least sincere; the clouds get enough attention as it is and even they continue to pass. Do they know what they’re missing? Uh huh.

          My eyes are vague blue, like the sky, and change all the time; they are indiscriminate but fleeting, entirely specific and disloyal, so that no one trusts me. I am always looking away. Or again at something after it has given me up. It makes me restless and that makes me unhappy, but I cannot keep them still. If only I had grey, green, black, brown, yellow eyes; I would stay at home and do something. It’s not that I am curious. On the contrary, I am bored but it’s my duty to be attentive, I am needed by things as the sky must be above the earth. And lately, so great has their anxiety become, I can spare myself little sleep.

          Now there is only one man I love to kiss when he is unshaven. Heterosexuality! you are inexorably approaching. (How discourage her?)

          St. Serapion, I wrap myself in the robes of your whiteness which is like midnight in Dostoevsky. How am I to become a legend, my dear? I’ve tried love, but that hides you in the bosom of another and I am always springing forth from it like the lotus—the ecstasy of always bursting forth! (but one must not be distracted by it!) or like a hyacinth, “to keep the filth of life away,” yes, there, even in the heart, where the filth is pumped in and courses and slanders and pollutes and determines. I will my will, though I may become famous for a mysterious vacancy in that department, that greenhouse.

          Destroy yourself, if you don’t know!

          It is easy to be beautiful; it is difficult to appear so. I admire you, beloved, for the trap you’ve set. It's like a final chapter no one reads because the plot is over.

          “Fanny Brown is run away—scampered off with a Cornet of Horse; I do love that little Minx, & hope She may be happy, tho’ She has vexed me by this Exploit a little too. —Poor silly Cecchina! or F:B: as we used to call her. —I wish She had a good Whipping and 10,000 pounds.” —Mrs. Thrale.

       I’ve got to get out of here. I choose a piece of shawl and my dirtiest suntans. I’ll be back, I'll re-emerge, defeated, from the valley; you don’t want me to go where you go, so I go where you don’t want me to. It’s only afternoon, there’s a lot ahead. There won’t be any mail downstairs. Turning, I spit in the lock and the knob turns.






   
RHAPSODY

Frank O'Hara

515 Madison Avenue   
door to heaven? portal
stopped realities and eternal licentiousness
or at least the jungle of impossible eagerness
your marble is bronze and your lianas elevator cables   
swinging from the myth of ascending
I would join
or declining the challenge of racial attractions
they zing on (into the lynch, dear friends)
while everywhere love is breathing draftily
like a doorway linking 53rd with 54th
the east-bound with the west-bound traffic by 8,000,000s   
o midtown tunnels and the tunnels, too, of Holland

where is the summit where all aims are clear   
the pin-point light upon a fear of lust
as agony’s needlework grows up around the unicorn   
and fences him for milk- and yoghurt-work
when I see Gianni I know he’s thinking of John Ericson   
playing the Rachmaninoff 2nd or Elizabeth Taylor   
taking sleeping-pills and Jane thinks of Manderley   
and Irkutsk while I cough lightly in the smog of desire   
and my eyes water achingly imitating the true blue

a sight of Manahatta in the towering needle
multi-faceted insight of the fly in the stringless labyrinth   
Canada plans a higher place than the Empire State Building   
I am getting into a cab at 9th Street and 1st Avenue   
and the Negro driver tells me about a $120 apartment   
“where you can’t walk across the floor after 10 at night   
not even to pee, cause it keeps them awake downstairs”
no, I don’t like that “well, I didn’t take it”
perfect in the hot humid morning on my way to work   
a little supper-club conversation for the mill of the gods

you were there always and you know all about these things   
as indifferent as an encyclopedia with your calm brown eyes   
it isn’t enough to smile when you run the gauntlet
you’ve got to spit like Niagara Falls on everybody or
Victoria Falls or at least the beautiful urban fountains of Madrid   
as the Niger joins the Gulf of Guinea near the Menemsha Bar
that is what you learn in the early morning passing Madison Avenue   
where you’ve never spent any time and stores eat up light

I have always wanted to be near it
though the day is long (and I don’t mean Madison Avenue)   
lying in a hammock on St. Mark’s Place sorting my poems   
in the rancid nourishment of this mountainous island   
they are coming and we holy ones must go
is Tibet historically a part of China? as I historically   
belong to the enormous bliss of American death


 

2014/02/04

Never Mind That We Could Only Grow Gray Things





Nobody claimed the Elkin when it was offered a few days ago, but Dalkey Press sent me an email yesterday saying it had shipped both Part One and Part Two of Marguerite Young's Miss McIntosh, My Darling after an representative emailed me last week saying Dalkey was out of Part Two, was unlikely to get more, did I want another title, and  I asked for a Stanley Elkin The Franchiser with the intention - hence the offer - of giving it away here. (And I ordered, and already received, Part Two through an evil motherfucker's company, I've never denied here my complicity.) So if I get The Franchiser it's still available to claim, if I get Part Two of Miss McIntosh, My Darling, it's yours if you want, why would you want Part Two of a novel I've no idea, I'll no doubt own two until I next bag up books and give to local public library to sell when I'm clearing out shelf space for more books.

UPDATE! Dalkey just sent me a $1.20 refund on my purchase, the exact difference between Elkin's The Franchiser and Part Two of Miss McIntosh, so I assume I'm getting the Elkin, which Jim claimed this morning in comments.






  • I'm told my father and brother and wife were mocking my music this past Saturday. Finding the Chris Watson interview an hour ago is why there are field recordings here today. The mocking is just a side benefit.





  • I don't begrudge The Cure for continuing to make a living being The Cure, but meh.
  • Something I missed three days ago: Destination:Out is closing up shop.
  • Why Bach moves us? Not all of us, though I don't think you nuts if he moves you though many I've met in life think I'm crazy I'm not of the body too.
  • Morton Feldman, for those of you who do. Those of you who don't should. I don't think I'd heard that piece before. Yes, this will shorten the time between my last Feldman fix and the next, but it's not today, click on the label for more.
  • Prunella's latest playlist, for those of you who do. Those of you who don't should.






THE FUTURE OF TERROR/1

Matthea Harvey

The generalissimo’s glands directed him
to and fro. Geronimo! said the über-goon
we called God, and we were off to the races.
Never mind that we could only grow
gray things, that inspecting the horses’ gums
in the gymnasium predicted a jagged
road ahead. We were tired of hard news—
it helped to turn down our hearing aids.
We could already all do impeccable imitations
of the idiot, his insistent incisors working on
a steak as he said there’s an intimacy to invasion.
That much was true. When we got jaded
about joyrides, we could always play games
in the kitchen garden with the prisoners.
Jump the Gun, Fine Kettle of Fish and Kick
the Kidney were our favorites. The laws
the linguists thought up were particularly
lissome, full of magical loopholes that
spit out medals. We had made the big time,
but night still nipped at our heels.   
The navigator’s needle swung strangely,
oscillating between the oilwells
and ask again later. We tried to pull ourselves
together by practicing quarterback sneaks
along the pylons, but the race to the ravine
was starting to feel as real as the R.I.P.’s
and roses carved into rock. Suddenly the sight
of a schoolbag could send us scrambling.



2014/01/12

Each Night Is a Lake That Rises at Sundown Spreads Itself Thin Laps at the House Lights Fills Up Slow Shoes Would Make Fish of Us All





Morton Feldman was born eighty-eight years ago today:  

The often noted paradox is that this immense, verbose man wrote music that seldom rose above a whisper. In the noisiest century in history, Feldman chose to be glacially slow and snowily soft. Chords arrive one after another, in seemingly haphazard sequence, interspersed with silences. Harmonies hover in a no man’s land between consonance and dissonance, paradise and oblivion. Rhythms are irregular and overlapping, so that the music floats above the beat. Simple figures repeat for a long time, then disappear. There is no exposition or development of themes, no clear formal structure. Certain later works unfold over extraordinarily lengthy spans of time, straining the capabilities of performers to play them and audiences to hear them. More than a dozen pieces last between one and two hours, and “For Philip Guston” and “String Quartet (II)” go on for much longer. In its ritual stillness, this body of work abandons the syntax of Western music, and performers must set aside their training to do it justice. Legend has it that after one group of players had crept their way as quietly as possible through a score of his Feldman barked, “It’s too fuckin’ loud, and it’s too fuckin’ fast.”






  • Have I ever mentioned how much I fuckin' love his music?
  • Happy Birthday, Earthgirl!
  • Maggie's weekly links.
  • { feuilleton }'s weekly links.
  • Writing to win: No one is treated with more patronizing condescension than the unpublished author or, in general, the would-be artist. At best he is commiserated. At worst mocked. He has presumed to rise above others and failed. I still recall a conversation around my father’s deathbed when the visiting doctor asked him what his three children were doing. When he arrived at the last and said young Timothy was writing a novel and wanted to become a writer, the good lady, unaware that I was entering the room, told my father not to worry, I would soon change my mind and find something sensible to do. Many years later, the same woman shook my hand with genuine respect and congratulated me on my career. She had not read my books.
  • Literary theory is in love with failure: It looks with distaste on whatever is integral, self-identical, smugly replete, and is fascinated by lack, belatedness, deadlock, self-undoing. Works of literature catch its attention once they begin to come unstuck or contradict themselves, when they unravel at the edges or betray an eloquent silence at their heart. Like some remorseless therapist, the theorist is bent on exposing just how spiritually dishevelled such texts really are, despite their pathetic attempts to appear plausible and coherent. Literary theory is an aesthetics of the underdog, championing the humble particular which plays havoc with the structure of an epic or the intentions of a novelist.
  • We so sin it abounds.
  • Stevie Smith.
  • New Richard Powers' novel reviewed: Is it premature to talk of the “Powers Problem”? For the last three decades, Richard Powers has been bringing out hefty novels at the rate of one every 2.5 years: 11 in all. At his current age of 56, he is, as a novelist, midway on life’s path; presumably he has another 11 or so novels still in him. Powers has won a National Book Award and has been a finalist for the Pulitzer Prize; he has been the recipient of a MacArthur “genius grant”; he has elicited lavish praise from the critics — most of them, anyway. Two of the words most frequently employed in connection with his literary output are “cerebral” and “ambitious.” “Cerebral” refers to his tendency to lace his novels with scientific and scholarly themes, like artificial intelligence in “Galatea 2.2,” game theory in “Prisoner’s Dilemma” and musicology cum genetic recombination in “The Gold Bug Variations.” “Ambitious” refers to his penchant for fashioning narrative structures and symbolic networks on a heroic scale.
  • I posted a Tom Hennen poem a couple of days ago. I'd never heard of him, I found his Selected on a new book cart of the library. I just found this review of the book from this past July: “Darkness Sticks to Everything,” an essential survey of his career, is his first book to be distributed nationally. Mr. Hennen’s work, until now, has been like a fine fishing hole only the locals knew about.






I THINK OF BREAD AND WATER AND THE ROOTS OF A TREE ALL WET

Tom Hennen

A description of the freeway
Lost
Looking for a city.
I come back
To geese.
Rain falls
On the parking meters
Glass and steel are shining
But people
Are dark
All the way through. 







LANDSCAPE OF NIGHT

Tom Hennen

Each night
Is a lake
That rises at sundown
Spreads itself thin
Laps at
The house lights
Fills up low shoes
Would make fish of us all.




2014/01/11

The World's As the World Is



  • I would rather discuss the silliness of the above than talk about Chris Christie or play tug-of-legacy with Ariel Sharon's corpse and I don't want to discuss the silliness of the above. 
  • Mentioned because once I would have eagerly yodeled about all three.
  • No contest: While a great deal of attention is paid to the NFL’s attempts to placate those concerned about the game’s tendency to produce traumatic brain injury, its rule manipulations are about creating a more profitable product. The present iteration of the game is geared toward faster and higher-scoring games because fast, high-scoring games have the most universal appeal. In pursuing this change, the NFL has sought to alter the reality of the game it sells. Consider that a professional football game can take about three hours to play despite containing only 11 minutes of actual football. The takeaway is that the NFL is making an obscene fortune on the back of (unguaranteed) player contracts and still wants more. This is the same ur-capitalist psychosis that remade the global economy into a pyramid scheme built on abstract chaos math equations. Owning the system wasn’t enough, the system had to be remade into something even more profitable, and it had to be done in time for the next quarterly financial report. The NFL is no longer concerned with what happens beyond that.
  • The collapse of almost everything.
  • Assessing assessment with an assessment rubric about assessment.
  • Dead Bloggers Society reading list.
  • There are four new additions to Newest Gag blogrolls, please check them out when they float to the top.
  • Bleggalgazing.
  • Proposal for a strike of science fiction writers.
  • RIP Leroi Jones/Amiri Baraka.
  • Prunella's latest playlist.
  • Major Egoslavian Holy Days coming on 15th, 16th.
  • When I posted Morton Feldman yesterday it was because I needed Morton Feldman. It was only today I rediscovered that tomorrow is Morton Feldman's birthday which is why you're getting links today (in case there are no links tomorrow) and why you're getting more Morton Feldman today. 
  • Similarly, when I posted Robinson Jeffers last week I hadn't yet rediscovered he was born 127 years ago yesterday.






NIGHT WITHOUT SLEEP

Robinson Jeffers

The world’s as the world is; the nations rearm and prepare to change; the age of tyrants returns;
The greatest civilization that has ever existed builds itself higher towers on breaking foundations.
Recurrent episodes; they were determined when the ape’s children first ran in packs, chipped flint to an edge.

I lie and hear dark rain beat the roof, and the blind wind.

                                                                                       In the morning
   perhaps I shall find strength again
To value the immense beauty of this time of the world, the flowers of decay their pitiful loveliness, the fever-dream
Tapestries that back the drama and are called the future. This ebb of vitality feels the ignoble and cruel
Incidents, not the vast abstract order.

                                                          I lie and hear dark rain beat the roof, and the night-blind wind.

In the Ventana country darkness and rain and the roar of waters fill the deep mountain-throats.
The creekside shelf of sand where we lay last August under a slip of stars
And firelight played on the leaning gorge-walls, is drowned and lost. The deer of the country huddle on a ridge
In a close herd under madrone-trees; they tremble when a rock-slide goes down, they open great darkness-
Drinking eyes and press closer.

                                              Cataracts of rock
Rain down the mountain from cliff to cliff and torment the stream-bed. The stream deals with them. The laurels are wounded,
Redwoods go down with their earth and lie thwart the gorge. I hear the torrent boulders battering each other,
I feel the flesh of the mountain move on its bones in the wet darkness.

                                                                                  Is this more beautiful
Than man’s disasters? These wounds will heal in their time; so will humanity’s. This is more beautiful....at night....



2013/09/27

Glimmering Brim Against Light Lifting There





As soon as I remembered Mark Rothko's birthday I knew I'd spend the next two days listening to Morton Feldman. I mentioned in the Shostakovich birthday post that I don't do my Sillyass Deserted Island Five game with non-rock composers but if I did Shostakovich would have one of the permanent spots. So would Morton Feldman.












LINE OF DESCENT

Forrest  Gander

Against the backdark, bright
                              riband flickers of heat lightning.    Nearer
                hills begin to show, to come clear
                                                             as a hard, detached
                                                                                            and glimmering brim
                                             against light lifting there.    And here, pitched over
the braided arroyo choked with debris,
                                                             a tent, its wan, cakey,
                                road-rur color.    On the front stake, two
                green dragonflies, riding each other, pause,
                                             Look! cries the boy, running, the father behind him
                                 running too—
                                                               and the canyon opening
                out in front of them its magisterial consequence, cramming
                               vertiginous air down its throat—
                                                                                           to snatch him
                                                                    from the scarp.



2013/09/03

The Crowd at the Ball Game Is Moved Uniformly by a Spirit of Uselessness Which Delights Them





THE CROWD AT THE BALLGAME

William Carlos Williams

The crowd at the ball game
is moved uniformly

by a spirit of uselessness
which delights them—

all the exciting detail
of the chase

and the escape, the error
the flash of genius—

all to no end save beauty
the eternal—

So in detail they, the crowd,
are beautiful

for this
to be warned against

saluted and defied—
It is alive, venomous

it smiles grimly
its words cut—

The flashy female with her
mother, gets it—

The Jew gets it straight— it
is deadly, terrifying—

It is the Inquisition, the
Revolution

It is beauty itself
that lives

day by day in them
idly—

This is
the power of their faces

It is summer, it is the solstice
the crowd is

cheering, the crowd is laughing
in detail

permanently, seriously
without thought



2013/07/21

Disappear into the Recesses of the Cliff



  
  • It's been at least a month since a Feldman cascade, sorry.
  • I was going to write what you'd expect me to write - here, I tweeted it: My first thought was that the speech guaranteed Kelly's nomination. Prime the liberal loads w/Obamalube, then boom, in response to someone tweeting that Obama's Martin speech eliminated Kelly from contention - about Obama's Martin speech, offered "extemporaneously" according to a WaPo article I'm not going to go back and find (and besides, I've now used up my July allotment of free WaPo articles and if WaPo thinks I'm giving them money....).
  • And then it occurred to me to give you Morton Feldman instead to listen to while you read these links.
  • But listening to Obama's remarks on the death of Helen Thomas yesterday, it occurs to me that every sentence in your head about whatever Obama says about anything need end with the phrase, but what the fuck did you think he was going to say.
  • Improve your conspiracy theories.
  • Yay! Transparency! 
  • On the above.
  • Three degrees of separation.
  • Friend or fro.
  • Beltway stages thoughtful spontaneity.
  • Slate analysis.
  • America is a tinderbox.
  • For the record, I don't think Obama will nominate Kelly to be head of Cheka, not because Kelly is a racist authoritarian asshole (hardly disqualifying to Obama) but because of all the people who have spoken up for Kelly - Obama won't want to be seen as taking orders. Obama's vanity, not his humanity, will be the difference (on Kelly: America is full of racist authoritarian assholes, Obama can find another).
  • The Manning Show Trials: These Teachable Moments.
  • Education, neoliberal education, and the brain.
  • Today in Fuckface Hiatt.
  • Weekly reminder.
  • Prole for a Day.
  • King for a Day: 











    ON WHAT PLANET

    Kenneth Rexroth

    Uniformly over the whole countryside
    The warm air flows imperceptibly seaward;
    The autumn haze drifts in deep bands
    Over the pale water;
    White egrets stand in the blue marshes;
    Tamalpais, Diablo, St. Helena
    Float in the air.
    Climbing on the cliffs of Hunter’s Hill
    We look out over fifty miles of sinuous
    Interpenetration of mountains and sea.
    Leading up a twisted chimney,
    Just as my eyes rise to the level
    Of a small cave, two white owls
    Fly out, silent, close to my face.
    They hover, confused in the sunlight,
    And disappear into the recesses of the cliff.
    All day I have been watching a new climber,
    A young girl with ash blonde hair
    And gentle confident eyes.
    She climbs slowly, precisely,
    With unwasted grace.
    While I am coiling the ropes,
    Watching the spectacular sunset,
    She turns to me and says, quietly,
    “It must be very beautiful, the sunset,
    On Saturn, with the rings and all the moons.”


    2013/04/07

    Crested and Turbid



       
    Have I ever mentioned I love Morton Feldman? Excellent bleggalgaze. Another excellent bleggalgaze. The conversations in the emails were more of a why am I resistant to writing and posting what I think about blogging sort, as in here is this post, on the least read day of the week, on the first Spring Sunday of the year, it's going to be the least read post since the Giftmas holidays, the question is not what the fuck am I doing, it's why the fuck am I doing it? Why the fuck do I now feel obligated - happily obligated - to do it, daily? Nothing new, or old. NPR. New shills rising. Let's pretend there's a Democratic Party civil war. I thought I was big enough to not spit at Obama's $50K stunt, but I'm not. Who called the shot on Obama first? Sealed in blood. Capitalist justice. Replying to Harris. The meme hustler. Badiou, for those of you who do. Maggie's awesome linkages. { feuilleton's } awesome linkages. Shines like gold. Blogbudbrad reads, as in out loud, Hejinian. Draft 16. Fallen. Yes, I've posted the Lisa Robertson poem below relatively recently, I love it, it fits this post. Donald Barthelme was born 82 years ago today. Here's his short story, The Sentence: Or a long sentence moving at a certain pace down the page aiming for the bottom-if not the bottom of this page then some other page-where it can rest, or stop for a moment to think out the questions raised by its own (temporary) existence, which ends when the page is turned, or the sentence falls out of the mind that holds it (temporarily) in some kind of embrace, not necessarily an ardent one, but more perhaps the kind of embrace enjoyed (or endured), by a wife who has just waked up and is on her way to the bathroom in the morning to wash her hair, and is bumped into by her husband, who has been lounging at the breakfast table reading the newspaper, and doesn't see her coming out of the bedroom, but, when he bumps into her, or is bumped into by her, raises his hands to embrace her lightly, transiently, because he knows that if he gives her a real embrace so early in the morning, before she has properly shaken the dreams out of her head, and got her duds on, she won't respond, and may even become slightly angry, and say something wounding, and so the husband invests in this embrace not so much physical or emotional pressure as he might, because he doesn't want to waste anything-with this sort of feeling, then, the sentence passes through the mind more or less, and there is another way of describing the situation too, which is to say that the sentence crawls through the mind like something someone says to you while you are listening very hard to the FM radio, some rock group there, with its thrilling sound, and so, with your attention or the major part of it at least already rewarded, there is not much mind room you can give to the remark, especially considering that you have probably just quarreled with that person, the maker of the remark, over the radio being too loud, or something like that, and the view you take, of the remark, is that you'd really rather not hear it, but if you have to hear it, you want to listen to it for the smallest possible length of time, and during a commercial, because immediately after the commercial they're going to play a new rock song by your favorite group, a cut that has never been aired before, and you want to hear it and respond to it in a new way, a way that accords with whatever you're feeling at the moment, or might feel, if the threat of new experience could be (temporarily) overbalanced by the promise of possible positive benefits, or what the mind construes as such, remembering that these are often, really, disguised defeats (not that such defeats are not, at times, good for your character, teaching you that it is not by success alone that one surmounts life, but that setbacks, too, contribute to that roughening of the personality that, by providing a textured surface to place against that of life, enables you to leave slight traces, or smudges, on the face of human history-your mark) and after all, benefit-seeking always has something of the smell of raw vanity about it, as if you wished to decorate your own brow with laurel, or wear your medals to a cookout, when the invitation had said nothing about them, and although the ego is always hungry (we are told) it is well to remember that ongoing success is nearly as meaningless as ongoing lack of success, which can make you sick, and that it is good to leave a few crumbs on the table for the rest of your brethren, not to sweep it all into the little beaded purse of your soul but to allow others, too, part of the gratification, and if you share in this way you will find the clouds smiling on you, and the postman bringing you letters, and bicycles available when you want to rent them, and many other signs, however guarded and limited, of the community's (temporary) approval of you, or at least of it's willingness to let you believe (temporarily) that it finds you not so lacking in commendable virtues as it had previously allowed you to think, from its scorn of your merits, as it might be put, or anyway its consistent refusal to recognize your basic humanness and its secret blackball of the project of your remaining alive, made in executive session by its ruling bodies, which, as everyone knows, carry out concealed programs of reward and punishment, under the rose, causing faint alterations of the status quo, behind your back, at various points along the periphery of community life, together with other enterprises not dissimilar in tone, such as producing films that have special qualities, or attributes, such as a film where the second half of it is a holy mystery, and girls and women are not permitted to see it, or writing novels in which the final chapter is a plastic bag filled with water, which you can touch, but not drink: in this way, or ways, the underground mental life of the collectivity is botched, or denied, or turned into something else never imagined by the planners, who, returning from the latest seminar in crisis management and being asked what they have learned, say they have learned how to throw up their hands; the sentence meanwhile, although not insensible of these considerations, has a festering conscience of its own, which persuades it to follow its star, and to move with all deliberate speed from one place to another, without losing any of the "riders" it may have picked up just being there, on the page, and turning this way and that, to see what is over there, under that oddly-shaped tree, or over there, reflected in the rain barrel of the imagination, even though it is true that in our young manhood we were taught that short, punchy sentences were best (but what did he mean? doesn't "punchy" mean punch-drunk? I think he probably intended to say "short, punching sentences," meaning sentences that lashed out at you, bloodying your brain if possible, and looking up the word just now I came across the nearby "punkah," which is a large fan suspended from the ceiling in India, operated by an attendant pulling a rope-that is what I want for my sentence, to keep it cool!) we are mature enough now to stand the shock of learning that much of what we were taught in our youth was wrong, or improperly understood by those who were teaching it, or perhaps shaded a bit, the shading resulting from the personal needs of the teachers, who as human beings had a tendency to introduce some of their heart's blood into their work, and sometimes this may not have been of the first water, this heart's blood, and even if they thought they were moving the "knowledge" out, as the Board of Education had mandated, they could have noticed that their sentences weren't having the knockdown power of the new weapons whose bullets tumble end-over-end (but it is true that we didn't have these weapons at that time) and they might have taken into account the fundamental dubiousness of their project (but all the intelligently conceived projects have been eaten up already, like the moon and the stars) leaving us, in our best clothes, with only things to do like conducting vigorous wars of attrition against our wives, who have now thoroughly come awake, and slipped into their striped bells, and pulled sweaters over their torsi, and adamantly refused to wear any bras under the sweaters, carefully explaining the political significance of this refusal to anyone who will listen, or look, but not touch, because that has nothing to do with it, so they say; leaving us, as it were, with only things to do like floating sheets of Reynolds Wrap around the room, trying to find out how many we can keep in the air at the same time, which at least gives us a sense of participation, as though we were Buddha, looking down at the mystery of your smile, which needs to be investigated, and I think I'll do that right now, while there's still enough light, if you'll sit down over there, in the best chair, and take off all your clothes, and put your feet in that electric toe caddy (which prevents pneumonia) and slip into this permanent press hospital gown, to cover your nakedness-why, if you do all that, we'll be ready to begin! after I wash my hands, because you pick up an amazing amount of exuviae in this city, just by walking around in the open air, and nodding to acquaintances, and speaking to friends, and copulating with lovers, in the ordinary course (and death to our enemies! by and by)-but I'm getting a little uptight, just about washing my hands, because I can't find the soap, which somebody has used and not put back in the soap dish, all of which is extremely irritating, if you have a beautiful patient sitting in the examining room, naked inside her gown, and peering at her moles in the mirror, with her immense brown eyes following your every movement (when they are not watching the moles, expecting them, as in a Disney nature film, to exfoliate) and her immense brown head wondering what you're going to do to her, the pierced places in the head letting that question leak out, while the therapist decides just to wash his hands in plain water, and hang the soap! and does so, and then looks around for a towel, but all the towels have been collected by the towel service, and are not there, so he wipes his hands on his pants, in the back (so as to avoid suspicious stains on the front) thinking: what must she think of me? and, all this is very unprofessional and at-sea looking! trying to visualize the contretemps from her point of view, if she has one (but how can she? she is not in the washroom) and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot have that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress) (that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they have eaten their lunch under have eyes and swords) (which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it smaller and smaller, until only a powder remained, whereupon he asked for a small potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr. Christopher medal, on its silver chain, and he (for such is the latitude granted the professional classes) worrying about the sentence, about its thin wires of dramatic tension, which have been omitted, about whether we should write down some natural events occurring in the sky (birds, lightning bolts), and about a possible coup d'etat within the sentence, whereby its chief verb would be-but at this moment a messenger rushes into the sentence, bleeding from a hat of thorns he's wearing, and cries out: "You don't know what you're doing! Stop making this sentence, and begin instead to make Moholy-Nagy cocktails, for those are what we really need, on the frontiers of bad behavior!" and then he falls to the floor, and a trap door opens under him, and he falls through that, into a damp pit where a blue narwhal waits, its horn poised (but maybe the weight of the messenger, falling from such a height, will break off the horn)-thus, considering everything very carefully, in the sweet light of the ceremonial axes, in the run-mad skimble-skamble of information sickness, we must make a decision as to whether we should proceed, or go back, in the latter case enjoying the pathos of eradication, in which the former case reading an erotic advertisement which begins, How to Make Your Mouth a Blowtorch of Excitement (but wouldn't that overtax our mouthwashes?) attempting, during the pause, while our burned mouths are being smeared with fat, to imagine a better sentence, worthier, more meaningful, like those in the Declaration of Independence, or a bank statement showing that you have seven thousand kroner more than you thought you had-a statement summing up the unreasonable demands that you make on life, and one that also asks the question, if you can imagine these demands, why are they not routinely met, tall fool? but of course it is not that query that this infected sentence has set out to answer (and hello! to our girl friend, Rosetta Stone, who has stuck by us through thick and thin) but some other query that we shall some day discover the nature of, and here comes Ludwig, the expert on sentence construction we have borrowed from the Bauhaus, who will-"Guten Tag, Ludwig!"-probably find a way to cure the sentence's sprawl, by using the improved way of thinking developed in Weimer-"I am sorry to inform you that the Bauhaus no longer exists, that all of the great masters who formerly thought there are either dead or retired, and that I myself have been reduced to constructing books on how to pass the examination for police sergeant"-and Ludwig falls through the Tugendhat House into the history of man-made objects; a disappointment, to be sure, but it reminds us that the sentence itself is a man-made object, not the one we wanted of course, but still a construction of man, a structure to be treasured for its weakness, as opposed to the strength of stone.





    MONDAY

    Lisa Robertson

    First all belief is paradise. So pliable a medium. A time not very long. A transparency caused. A conveyance of rupture. A subtle transport. Scant and rare. Deep in the opulent morning, blissful regions, hard and slender. Scarce and scant. Quotidian and temperate. Begin afresh in the realms of the atmosphere, that encompasses the solid earth, the terraqueous globe that soars and sings, elevated and flimsy. Bright and hot. Flesh and hue. Our skies are inventions, durations, discoveries, quotas, forgeries, fine and grand. Fine and grand. Fresh and bright. Heavenly and bright. The day pours out space, a light red roominess, bright and fresh. Bright and oft. Bright and fresh. Sparkling and wet. Clamour and tint. We range the spacious fields, a battlement trick and fast. Bright and silver. Ribbons and failings. To and fro. Fine and grand. The sky is complicated and flawed and we’re up there in it, floating near the apricot frill, the bias swoop, near the sullen bloated part that dissolves to silver the next instant bronze but nothing that meaningful, a breach of greeny-blue, a syllable, we’re all across the swathe of fleece laid out, the fraying rope, the copper beech behind the aluminum catalpa that has saved the entire spring for this flight, the tops of these a part of the sky, the light wind flipping up the white undersides of leaves, heaven afresh, the brushed part behind, the tumbling. So to the heavenly rustling. Just stiff with ambition we range the spacious trees in earnest desire sure and dear. Brisk and west. Streaky and massed. Changing and appearing. First and last. This was made from Europe, formed from Europe, rant and roar. Fine and grand. Fresh and bright. Crested and turbid. Silver and bright. This was spoken as it came to us, to celebrate and tint, distinct and designed. Sure and dear. Fully designed. Dear afresh. So free to the showing. What we praise we believe, we fully believe. Very fine. Belief thin and pure and clear to the title. Very beautiful. Belief lovely and elegant and fair for the footing. Very brisk. Belief lively and quick and strong by the bursting. Very bright. Belief clear and witty and famous in impulse. Very stormy. Belief violent and open and raging from privation. Very fine. Belief intransigent after pursuit. Very hot. Belief lustful and eager and curious before beauty.Very bright. Belief intending afresh. So calmly and clearly. Just stiff with leaf sure and dear and appearing and last. With lust clear and scarce and appearing and last and afresh.


    2013/02/18

    I've Pressed So Far Way from My Desire that If You Asked Me What I Want I Would, Accepting the Harmonious Completion of the Drift, Say Annihilation, Probably



    That's Rosie in a tunnel, shot last night. Abbreviated bleggalgazing - I took a day off, nothing more, thanks for asking. That's not entirely true, I was asked, yes, that's true. Was going to take today off too but in view of the fact that A.R. Ammons was born eighty-seven years ago today and today is an Egoslavian High Holy Day, can't. Use the search box top left of this blog to find many of his poems. All you need know about Obama: the fucker tucks his polo shift into his short pants. Sludge in the hour glass. Your Fucking Washington Post gives Sunday oped inches to Donald Rumsfeld to complain about the elimination of Olympic wrestling. Your Fucking Washington Post gives Sunday oped inches to E.J. Dionne to make an impassioned case that the next pope should be a nun. I say the next pope should be a duck. There is a better chance I will be happy before E.J. Dionne. Blinder leading the blind. History unfolding. The discontents of post-democracy. The logic of surveillance. Of course they are. The Lincoln Myth of Social Mobility. No, I don't make fun of rightwingers much anymore (since I was asked why I don't much anymore over the weekend), though once that was what drew new eyes here, and probably still would. Fabulous heh. Boatloads of links. MOCO seeks to be hip! Lordy, Arsenal losing makes me giddy. Robbie Rogers. Blanchot novella, for those of you who do. Beckett, for those of you who do. Barth, for those of you who do. Quest into the unknown. The problem with anthologies. Well, not the problem, some of many problems.  A Greyhoos playlist. Messiaen. Via Edmond, Mike Watt & The Missingmen cover Wire. Three hours of excellent. Three hours of excellent. Here's Stanley on a balcony from this morning.




    CONTINUITY

    A.R. Ammons

    I've pressed so
    far way from
    my desire that

    if you asked
    me what I
    want I would,

    accepting the harmonious
    completion of the
    drift, say annihilation,

    probably.