Showing posts with label This Heat. Show all posts
Showing posts with label This Heat. Show all posts

2014/06/29

Ghosts' Perennial Goal of Revoking the Sensation of Repose





  • See bottom bullet for more, but my eyes ache after an hour of reading novels, ease but ache again after an hour of reading poetry, which is not excuse but part explanation why I fish links to post on days very few read since I'm reading online anyway, which doesn't hurt my eyes, or maybe does when I read from a book. As for the rash of thwarted bleggalgazing of late, I had a long email from L last night, the Death of Thursday Night Pints has denied me a vital spigot.
  • The Disruption Machine: Every age has a theory of rising and falling, of growth and decay, of bloom and wilt: a theory of nature. Every age also has a theory about the past and the present, of what was and what is, a notion of time: a theory of history. Theories of history used to be supernatural: the divine ruled time; the hand of God, a special providence, lay behind the fall of each sparrow. If the present differed from the past, it was usually worse: supernatural theories of history tend to involve decline, a fall from grace, the loss of God’s favor, corruption. Beginning in the eighteenth century, as the intellectual historian Dorothy Ross once pointed out, theories of history became secular; then they started something new—historicism, the idea “that all events in historical time can be explained by prior events in historical time.” Things began looking up. First, there was that, then there was this, and this is better than that. The eighteenth century embraced the idea of progress; the nineteenth century had evolution; the twentieth century had growth and then innovation. Our era has disruption, which, despite its futurism, is atavistic. It’s a theory of history founded on a profound anxiety about financial collapse, an apocalyptic fear of global devastation, and shaky evidence.
  • Another murderous milestone: Our 21st century intervention in Iraq has killed far more people much more quickly, of course. But as we gear up for yet another round of slaughter in the country we have recently demolished, it’s good to be reminded that none of this is new or unusual; it is, very simply — and quite horribly — the way the bipartisan American elite do business. Violence is their profession, their religion, their guiding light. They use violence to advance their agenda, then use more violence to deal with the inevitable horrific consequences spawned by their violence, on and on in an endless cycle.







  • Guess what I fell asleep listening to and woke up with in my head. Click tab in footer for more. Expect more in coming days. MSADI5G, yes, they are in the inner circle.
  • But yes, Fuck It, Fuck This, Fuck Me.
  • The Obscene.
  • Maggie's weekly links.
  • { feuilleton }'s weekly links.
  • Sacasas's links.
  • Reality Check.
  • The cost of almost apprehending anything.
  • He, for one, welcomes our invisible piano-teacher overlords.
  • If Brazil ends up winning this World Cup remember that Chilean ball of the crossbar in the 120th. And I suspect that if anyone is going to beat Brazil it will be Colombia.
  • See, Solar Crumpet works as long as I'm not distracted but I'm easily distracted and my eyes are old and ache after an hour. Long ago I made a rule that I can only read one novel at a time - I'm curious re: my dilemma when I finish Sawn Yawns - do I immediately go to A Bounded Thriving Wig or read something else? I put down Sawn Yawns at eye ache, picked up Hejinian (another rule: no music permitted when reading novels, music allowed when reading poetry) and found my This Heat on the iPod.








[A DREAM, STILL CLINGING LIKE LIGHT TO THE DARK, ROUNDING]

Lyn Hejinian

A dream, still clinging like light to the dark, rounding
The gap left by things which have already happened
Leaving nothing in their place, may have nothing to do
But that. Dreams are like ghosts achieving ghosts' perennial goal
Of revoking the sensation of repose. It's terrible
To think we write these things for them, to tell them
Of our life - that is, our whole life. Along comes a dream
Of a machine. Why? What is being sold there? How is the product emitted?
It must have been sparked by a noise, the way the very word "spark"
Emits a brief picture. Is it original? Inevitable?
We seem to sleep so as to draw the picture
Of events that have already happened so we can picture
them. A dream for example of a procession to an execution site.
How many strangers could circle the space while speaking of nostalgia
And of wolves in the hills? We find them
Thinking of nothing instead - there's no one to impersonate, nothing
To foresee. It's logical that prophesies would be emitted
Through the gaps left by previous things, or by the dead
Refusing conversation and contemplating beauty instead.
But isn't that the problem with beauty - that it's apt in retrospect
To seem preordained? The dawn birds are trilling
A new day - it has the psychical quality of "pastness" and they are trailing
It. The day breaks in an imperfectly continuous course
Of life. Sleep is immediate and memory nothing.



2013/07/12

There's a Jolt, Quasi-Electric, When One of Our Myths Reverts to Abstraction



 
  • Went to sleep with that Sonic Youth song in my head.
  • That novel I posted a photo of yesterday? It failed me, I didn't fail it, I gave a hundred pages, fifty more than I should have because I thought it was my fault the novel sucked, it wasn't, the novel sucked. Baal save me from first novels written in the first person in which every character in every dialogue competes to be the smartest and most cuttingly ironically detached social observer. Sure, it's like twitter, or Stringtown, or your staff lounge, it's me, doesn't mean I want to read it. I can't tell you how liberating it is to know in this one case with this one novel it wasn't me at fault. Best SHAZAM! that's happened to me since the last until the next. An unshackling.
  • We talked about trolls last night at Thursday Night Pints. Analog trolls, digital trolls, trolls at work, trolls in real life, trolls in Stringtown. The trolls we are, to others, to ourselves. There were details in the stories I can't talk about (analog trolls) and details in the stories I could talk about (digital trolls) but only the first is interesting, the second, fuck that. The history of trolling - there's always been trolling - and technological innovations in trolling. Fuckwads in our lives, how we can avoid being fuckwads in return. And fail.
  • Contained selvesIn the machinery of social media, none of this experience need be particularly transgressive to be felt as transformative. Posting videos of one’s cat is sufficient to tremble the network. The contradictions and intensities and dangers of attempting to write the truth about oneself are made accessible to anyone with a Tumblr, and at the same time, new resources other than opaque language are readily available to convey affect on social-media sites. These resources (gifs, links, images, likes, screen grabs, serial selfies, cut-and-paste collages, etc.) can seem to express the self without the same limits brought about by the imprecision or, maybe more often, the overprecision of one’s own words, which come from some posited central location of the “I.” That “I” is a transcendental trap, binding one to the posited position of the speaking subject.











UPPER WORLD

Rae Armantrout

If sadness
is akin to patience

                            we're back!


Pattern recognition
was our first response

to loneliness.

Here and there were like
one place.

But we need to triangulate
for someone to show.


*

There's a jolt, quasi-electric,
when one of our myths
reverts to abstraction.

Now we all know
every name's Eurydice,
briefly returned
from blankness

and the way back
won't bear scrutiny.

High voices
over rapid-pulsing synthesizers
inton, "without you"---

which is soothing.

We prefer meta-significance:

the way the clouds exchange
white scraps
in glory.

No more wishes.

No more bungalows
behind car-washes
painted the color of
swimming pools.



2012/08/08

The Ninth Floor, No Hydrants, No Fire Escapes



Blogbud emails last night re: This Heat. I had commented at his place, thanks for reminding me of the band, they had fallen off my playlist. They are fifth or sixth on his Sillyass Desert Island Game, he wanted to mention. I wrote back: Hey, thanks for email. It scares me how much I've forgot. Literally twenty minutes ago I flashed on Thomas Berger's novels, thought, when was the last time anyone thought about.. More often than not I'm glad it's a too full world. That's not true. I'm always glad it's a too full world. As for blegging, verily, what the fuck if it's our hydrant? He wrote back, Verily, yea... hydrantizing and all. Verily, blgglgzng the blgdysfsmmr.














SHIRT

Robert Pinsky

The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians

Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band

Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze

At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--

The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out

Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.

A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once

He stepped to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--

Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the pattern matches perfectly
Across the placket and over the twin bar-tacked

Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans

Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,

Bailey, MacMartin. The kilt, devised for workers
To wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,

The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:

George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit

And feel and its clean smell have satisfied
Both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,

The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.