On bad English. I hate the loss of the proper use and moral weight of enormity, as in "the enormity of the Baltimore Ravens' Super Bowl victory is just dawning on Ravens fans." The Ravens' Super Bowl victory may or not have been wicked, but in either case enormity was not used in that sentence to imply so. Here, the enormity of state power: the murder of Callion Hamblin. Return of the oppressed. Liberal stench. And again, the drone debate is a sapper. Notes on SOTU 13, part one. How to explain drones. Police state. Police state. False memories of fabricated political events. Flags and the politics of fantasy. The absurd luck of famous men. Via somebody on twitter, reference to Perry Anderson reviewing life of Oakeshott. The week that was. That's from one of several blogs added to New Here, check them out. Purple Line. There will never be a Purple Line. Fury in Fairfax! Grasses: an Elegy. The Role of Elegy (employs proper use of enormity). Plath. Metaphors. Flash. The art of painting a poem. Idiot Psalms. Songs about red shoes?
A WINTER DAYBREAK ABOVE VENICE
Jame Wright
The night’s drifts
Pile up below me and behind my back,
Slide down the hill, rise again, and build
Eerie little dunes on the roof of the house.
In the valley below me,
Miles between me and the town of St.-Jeannet,
The road lamps glow.
They are so cold, they might as well be dark.
Trucks and cars
Cough and drone down there between the golden
Coffins of greenhouses, the startled squawk
Of a rooster claws heavily across
A grove, and drowns.
The gumming snarl of some grouchy dog sounds,
And a man bitterly shifts his broken gears.
True night still hangs on,
Mist cluttered with a racket of its own.
Now on the mountainside,
A little way downhill among turning rocks,
A square takes form in the side of a dim wall.
I hear a bucket rattle or something, tinny,
No other stirring behind the dim face
Of the goatherd’s house. I imagine
His goats are still sleeping, dreaming
Of the fresh roses
Beyond the walls of the greenhouse below them
And of lettuce leaves opening in Tunisia.
I turn, and somehow
Impossibly hovering in the air over everything,
The Mediterranean, nearer to the moon
Than this mountain is,
Shines. A voice clearly
Tells me to snap out of it. Galway
Mutters out of the house and up the stone stairs
To start the motor. The moon and the stars
Suddenly flicker out, and the whole mountain
Appears, pale as a shell.
Look, the sea has not fallen and broken
Our heads. How can I feel so warm
Here in the dead center of January? I can
Scarcely believe it, and yet I have to, this is
The only life I have. I get up from the stone.
My body mumbles something unseemly
And follows me. Now we are all sitting here strangely
On top of the sunlight.
